Big Secrets Run Deep.
Former FBI agent Jack McBride took the job as Chief of Police for Stillwater, Texas, to start a new life with his teenage son, Ethan, away from the suspicions that surrounded his wife’s disappearance a year earlier.
With a low crime rate and a five-man police force, he expected it to be a nice, easy gig; hot checks, traffic violations, some drugs, occasional domestic disturbances, and petty theft. Instead, within a week he is investigating a staged murder-suicide, uncovering a decades’ old skeleton buried in the woods, and managing the first crime wave in thirty years.
For help navigating his unfamiliar, small-town surroundings, Jack turns to Ellie Martin, one of the most respected women in town—her scandal-filled past notwithstanding. Despite Jack’s murky marriage status and the disapproval of Ethan and the town, they are immediately drawn to each other.
As Jack and Ellie struggle with their budding relationship, they unearth shattering secrets long buried and discover the two cases Jack is working, though fifty years apart, share a surprising connection that will rattle the town to its core.
ADVANCE PRAISE FOR STILLWATER:
“Secrets, lies, and betrayals run through STILLWATER like irrigation through dry land. Melissa Lenhardt’s writing drips with detail to create a story that rushes like a wave toward an ever-twisting ending. Don’t let the name fool you; STILLWATER’s threats lie right below the surface.” —Diane Vallere, bestselling author of the Material Witness, Madison Night, and Style & Error Mysteries
“Dangerous things lurk beneath the placid surface in Stillwater, Texas. Secrets shunning the light of day, decades-old betrayals, lies that have taken on a life of their own. Moody and atmospheric, utterly compelling, you don’t want to miss Melissa Lenhardt’s marvelous debut novel, STILLWATER.” --Harry Hunsicker, former Executive Vice President of the Mystery Writers of America, author of THE GRID
"Crisp and pacy writing pulls you in deep from page one, when Jack McBride strides into a crime scene and a world of trouble. STILLWATER is the perfect combination of a tightly plotted tale peopled by rich, complex characters (plus one or two deliciously hateful true baddies). Slashed budgets, racial tensions, messy pasts - this small town is anything but cozy. The mystery itself is a classic puzzle, though: clever and convincing. Roll on Jack #2!" —Catriona McPherson, Agatha, Anthony, and Macavity–winning author of the Edgar-nominated The Day She Died
Small-town loyalties and long-simmering secrets combine for a compelling page-turner! A fish-out-of-water lawman and his adolescent son try to escape the past in not-so-cozy Stillwater, Texas --but soon they're battling corruption, revenge, and murder. Fast-paced dialogue, an authentic setting, and engaging characters--Stillwater is a one-sitting read.
- Hank Phillippi Ryan - Agatha, Anthony, Macavity, Daphne and Mary Higgins Clark award winning author
STILLWATER runs deep with intrigue, passion, and long-buried secrets. Melissa Lenhardt weaves a rich tale of suspense as hot as the east Texas town in which it's set.
- Annette Dashofy, USA Today best-selling author of the Zoe Chambers mysteries
With a twisting plot, nonstop action and a sexy, complex protagonist you'll root for from page one, Lenhardt brings the town of Stillwater, Texas (pop. 2,436), and all its long-buried secrets, to life. Fast-paced and tightly-written, STILLWATER is a must-read for anyone who loves great crime fiction. Book two can't come soon enough!
- Wendy Tyson, author of Killer Image and Deadly Assets.
A line of flashing blue and red lights led the way to a pale green single- wide trailer. Firemen, sheriff deputies, and EMTs huddled in front of the house, talking, looking around, and laughing. All eyes turned to Jack McBride’s car as it pulled into the dirt-packed front yard, which doubled as the driveway.
Jack set the alarm on his phone. “Stay in the car,” he told his thirteen- year-old son, Ethan. He opened the door, got out, and leaned back in. “I mean it.”
“I know, Dad.”
Neighbors grouped behind yellow crime-scene tape. Some wore paja- mas, others wore work clothes. Women held babies, children craned their necks to see better, eager for information to share at school. A young officer guarded them—Officer Nathan Starling.
It was his file that had fallen from Jack’s lap when he was startled awake by the early morning call. If Jack hadn’t read Starling was the youngest and newest member of the force, he would have guessed it from his role as crowd control. Starling shifted on his feet and looked over his shoulder at the crowd, as if debating whether he should leave his post to introduce himself or stay put. Jack waved an acknowledgment to him and moved toward the trailer.
Jack nodded at the group of first responders as he walked by and received a couple of muttered hellos in return. Some looked from Jack to Ethan and then back. Jack climbed the uneven concrete steps, stopped at the door, and put on paper booties and gloves. Behind him, he heard a low conversation start back up, the words alone, wife, and no one knows carrying across the yard as if announced through a bullhorn. The screen door slapped shut behind him, cutting off the rest of the conversation.
The smell of chili, paprika, and cumin hung in the air of the trailer. Flimsy wooden cabinets topped with a chipped orange Formica counter were wedged against the back wall of the main room by a strip of ugly, peeling linoleum. Brown shag carpet, flattened by years of traffic, marked off the living area of the room. Left of the door, under a loud window unit dripping condensation, sat a couch of indeterminate color too large for the room. A black-haired man with bloodshot eyes and a green tinge underneath his dark skin sat on the couch, chewing his nails. He looked up at Jack and stopped chewing—a signal for his leg to start bouncing. A bull-necked police officer, his thumbs crooked underneath his gun belt, stood guard over the man.
“Officer Freeman,” Jack said.
If Michael Freeman was surprised Jack knew who he was, he didn’t show it. His face remained expressionless.
A third officer stood at the mouth of the hallway to the right with a portly, elderly man. Relief washed over the officer’s face. He moved for- ward, hand outstretched. “Chief McBride,” he said. “Miner Jesson. This here is Doc Poole.”
Jack shook their hands.“Sorry to meet you under these circumstances, Dr. Poole.”
“Helluva case to get on your first day, eh?” the doctor said.
Jack nodded and gave a brief smile. He pulled gloves and more paper booties from his coat pocket and handed them to Jesson and the doctor. Jack walked down the hall and entered the room. Jesson stopped at the door.
“Gilberto and Rosa Ramos,” Jesson said. “Found dead this morning by Diego Vasquez.” He jerked his thumb in the direction of the man sitting on the couch. “Says he’s Rosa’s brother. He don’t speak much English, but from what I gathered, he came to pick Gilberto up for work and heard the baby screaming. When no one answered, he let himself in. Door was open. Found them just like that.”
They were both nude. The woman lay face down, covering half of the man’s body. The right side of the man’s head was blown across the pillow. Blood and brain matter were sprayed across the bed, under the woman and onto the floor. A clump of long dark hair was stuck to the window with blood. Her right arm extended across the man’s chest, a gun held lightly in her grip.
Jack walked around the bed.
Doc Poole stood next to Officer Jesson. “It takes a special kind of anger to kill someone you are in the middle of fucking, doncha think?” Doc Poole said. “Ever see that in the F-B-I?” Derision dripped from every letter.
Jack ignored him. “Where’s the baby?”
Jack hoped the revulsion on Jesson’s face meant scenes like this were rare in Stillwater. If he had wanted to deal with shit like this on a regular basis, he would have taken a better-paying job in a larger town.
“Officer Jesson?” Jack said. “Where’s the baby?” “Oh. It’s with a neighbor.”
“Has anyone called CPS?”
“To take care of the baby.”
“The neighbor offered.”
“And what do we know about this neighbor?”
He shrugged. “She didn’t speak much English.”
“So, she could be in the next county by now?”
“Oh, I doubt that,” Jesson said. “She seemed like a nice sort. Very
Jack cocked his head and puzzled over whether his most senior officer
was ignorant, naive, or an amazing judge of character.
He turned his attention to Doc Poole. “What’s the time of death?” “Sometime last night.”
“Can you be more specific?”
“Didn’t see the need. Seems pretty obvious what happened.”
“Oh, are you a detective?”
“No. I’m a general practitioner.”
“You’re the JP, aren’t you?”
“No. I used to be.” He chuckled. “Too old for this now.”
“Yet, here you are.”
“JP is on the way, Chief,” Jesson said.
Jack kept his focus on Doctor Poole. “So you heard this over the radio
and decided to come? Or did someone call you?”
“Do you have the instruments necessary to establish a time of death?” “Not with me, but—”
“Then get off my crime scene.”
The little man straightened his shoulders and lifted his chin. “I can
see why Jane Maxwell liked you.” He started to leave but turned back. “We do things different here in Stillwater.”
“Not anymore we don’t,” Jack said.
Melissa Lenhardt writes mystery, historical fiction, and women’s fiction. Her short fiction has appeared in Heater Mystery Magazine, The Western Online, and Christmas Nookies, a holiday romance anthology. Her debut novel, Stillwater, was a finalist for the 2014 Whidbey Writers’ MFA Alumni Emerging Writers Contest. She is a board member of the DFW Writers’ Workshop and vice president of the Sisters in Crime North Dallas Chapter. Melissa lives in Texas, with her husband and two sons.
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