Young Adult / Dystopian / Fantasy
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Blurb: Twelve years ago, Nathan was forcibly transferred into governmental custody.
Once a brother, a son, and an outsider, he is now little more than an instrument of the Continental Order.
At least, that's what his superiors think.
Now, the Order is shipping out, and a resurgence of destruction lies in wait for the continent.
Will Nathan break free and embrace the hostile outside world, or will he take his place on the last train scheduled for the Reservation?
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HALL WAYS REVIEW:
Stowaway,
book
two in The Reservation Trilogy, is the follow-up to
Cargo,
and
in this installment, readers get to read from main character (and hybrid!)
Nathan's point of view. Who knew so much was going on in Nathan's head? His
often poetic, soft thoughts don't mesh with his outward appearance and actions,
so this perspective is a delightful change of pace.
Since
Nathan is alone and/or alone with his thoughts for much of the book, his
non-stop internal monologue is what keeps him (and the story) moving forward.
It
makes sense that he'd talk through so much, as he leads an intentionally lonely
life and spends time talking himself out of having feelings (especially about
Cassidy, the main character in Cargo) that
would jeopardize his lone wolf status.
Readers
must be patient the first quarter of the book, as it's primarily world building
and reflection, with very little action.
However,
author Jen Castleberry writes highly
descriptive passages, one after another, using a variety of figurative language
devices. For example, Nathan
says (to himself),
The
sun “caresses every part of me, sweeping out the old draft of the garage,
soothing my body like a swallow of bread, straight off the coals.”
While the similes, metaphors, personification, imagery, and symbolism are more striking than not, the sheer volume of literary devices was a bit overwhelming. However, as a glass-half-full kind of gal and former language teacher, I kept thinking about what a fabulous high school literary devices lesson this book would make, especially given the story length.
The
story is short -- a novella, really -- and well-written with just a few errors,
none of which interfere with reading.
At
times, it is difficult to believe that a seventeen-year-old male could think
and process things the way Nathan does, but then, Nathan isn't fully human . .
. or is he more human than those who have the genetics to be categorized that
way?
Sensitive
readers need to be aware that there is violence, and it is sometimes fairly
graphic. Several characters use expletives and blasphemous language, and there
are references to sexual situations but none are overly descriptive.
Thank
you to the author for providing me a print copy in exchange for my honest
review -- the only kind I give.
ABOUT JEN CASTLEBERRY: Jen
Castleberry is a North Carolina native currently based in Virginia
Beach, VA. She is a Communications graduate and proud ECU alum. When she's not writing, Castleberry works full-time as a Veterinary Assistant at a local animal shelter.
Her affection for all critters, large and small, comes home with her at the end of each day. She frequently lends her house and heart to homeless animals in need of foster. Her own clan of silly creatures include an Akita, a Basset Hound, a Maine Coon, and of course, her active-duty husband.
The first installment of her YA debut series premiered in January of 2016. Connect with Jen:
Her affection for all critters, large and small, comes home with her at the end of each day. She frequently lends her house and heart to homeless animals in need of foster. Her own clan of silly creatures include an Akita, a Basset Hound, a Maine Coon, and of course, her active-duty husband.
The first installment of her YA debut series premiered in January of 2016. Connect with Jen:
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