CHAPTER ONE
The blot of ink stuck to her finger, tacky like drying blood. Leona scrubbed at it with her handkerchief as the clock chimed two hours after midnight. She capped the inkwell, and while the ink dried on her most recent entry, she organized the copies with ribbons. Blue for Daphne and red for Ruth. With shaking hands, she slipped the copies into stiff cardboard folios and tied them closed. Sighing, she set them on the desk in front of her.
The flames in the hearth beckoned. This wasn’t the first night she’d yearned for obliteration. It wouldn’t come if she gave in to the urge to throw her labor into the fire. Only paper and ink would vanish, leaving the memories behind.
Pen and ink or back to the laudanum.
A grim thought, the grimmest of all.
The words had clawed their way out tonight. She’d begun the memoir of her time as a Union soldier months ago with the hope her drowning spirits would revive once the words dropped to the page. Yet the foreboding crept through her and tightened around her throat as the little study filled with familiar shadows. This old terror had become a second skin, like the tattered and dirty uniform she’d once worn.
Over the monotonous chatter of the rain, the clock ticked away the seconds until her husband came home. Leona moved to the window, pushed aside the heavy velvet curtains, and looked out at night-shrouded Cranberry Street. A lamp glowed in a window across the street. Homesickness for Boston, for life before the war, for herself before the war, settled on her. The wind threw a heavy splash of rain against the window, and she jumped back, letting go of the curtain.
Pacing the study, her restless thoughts rushed on without fatigue. To keep the memories inside only fed the persistent mental return to the battlefield, and the outpouring of words somewhat tamed her tormented soul. She stopped and touched the folio. Work would save her: work, family, friendship, and love. Maybe she’d write a story about two clocks. A natural clock which kept good time and a mad clock that twisted time out of true.
The street door below opened and closed. At last Gil, home safe. She couldn’t even bring herself to scold him for being so late. Leona listened for his footsteps as she crossed the room to tuck the folios into her desk drawer and locked it. She closed the gaslight apertures in the study and turned up the flame on the wall sconces in the drafty hallway so he could find his way. In the bedroom, she shed her dressing gown, stepped out of her slippers, and kicked them under the bed. Gil made his clumsy climb up the stairs. When he stumbled into the room, she pulled the covers back. He fell into bed fully clothed beside her, mumbling and fretful, the sharp ripe scent of whiskey lacing his breath.
She laid her hand on his shoulder. Beneath the cloth of his shirt, his skin was cold and damp. “Rest now, go to sleep,” she whispered.
***
At first light, Leona had dressed in a blue and cream day gown and made her way downstairs for breakfast. The creeping dread of the night before had waned. She rubbed her gritty eyes and yawned again. Mrs. McCarthy poured coffee from the silver pot, the familiar, civilized table a welcome sight. The scent of bacon made her stomach growl.
“Are you well, m’um?”
Leona glanced into the broad face of their cook and housekeeper, a sturdy and mature woman with a comforting Irish burr. She wore her fading blonde hair in a crown around her head.
“I didn’t sleep much.” Leona yawned again behind her fingers.
Gil’s heavy tread on the stairs made them both jump, and Mrs. McCarthy squeaked.
“I’ll bring more breakfast in a jiffy.” She fled through the side door to the kitchen just as Gil ducked through the hall entrance.
Leona rose and smiled at her husband. He’d made a great effort to come down early after returning so late. She accepted his peck on the cheek, poured him coffee and set it between them, wifely mask in place. He glared with bloodshot eyes at the letter in his hand, and her stomach clenched.
“It’s not all bad news, Gil.” She’d read the contents of the letter before leaving it on his desk in his study, as Grandfather had addressed it to both.
He raised his hazel eyes to her. “You recall Henry has absconded with all our funds?” he asked in a sarcastic tone, squinting at the letter, then back at her.
She no longer knew what to say about Gil’s former business partner, Henry Caldwell-Jones. The police were still looking for him. It put the devil in Gil’s eyes to speak of it, so she tried to let it be, not wanting to distress him even more.
“Of course, I remember, Gil. I—”
“And now your grandfather won’t give me a second loan. I’ll have to go back to the bank and ask them again.”
“He only wants to speak with you face to face about our situation,” she said, in her grandfather’s defense. “He’ll help us, Gil. He did offer to speak at the lyceum on his return from Ohio, to help raise funds. It isn’t as if—” Or was it? “We won’t lose the house, will we?”
The muscles in his lean face twitched as Gil fought to hide his disappointment, and her heart broke a little more to witness it. “Your grandfather does not bring in the interest he once did.”
It was true Leona’s grandfather, poet, abolitionist, and Transcendentalist, didn’t bring in the money he used to at readings in New York and Brooklyn, but he didn’t suffer for it.
Gil raked his fingers through his thick, brown hair and opened his mouth. Mrs. McCarthy entered with his breakfast, apparently stopping what he meant to say next. He reached inside the pocket of his trousers and pulled out a small notebook and pencil. Laying them on the table, his frown deepened.
Once Mrs. McCarthy had bustled out again, Leona said, “I could write to Aunt Louisa.” Who was not truly an aunt, but a friend of her mother’s.
He opened the notebook and touched the tip of his tongue to the pencil. “We cannot afford to feed and house a man of Bronson Alcott’s caliber,” he replied with heaviness. He bent his head to the columns of numbers on the pages.
His confidence and spirits were usually high, and it hurt to see him laid so low. She did mean Louisa Alcott herself, not her father Bronson Alcott, as the speaker for the lyceum to draw a crowd. Her novel, Little Women, published two years before, had become hugely popular.
“I’ll sell the lyceum, that should help,” Gil murmured, eyes downcast.
Leona winced. It was where they’d met nearly a year before. At a loss again, she glanced down at her lapel watch—9 o’clock already. She stood and set cups and plates on the tray.
“Let Mrs. McCarthy do that.” His pencil went on calculating their precarious position.
“I don’t mind. I’m off to see Daphne this morning. I won’t be home until the late afternoon.” Taking a deep breath, she dared to ask, not expecting an answer. “How much do we owe?” She blew out her held breath, apprehension biting at her. “Why won’t you tell me how much Henry has stolen?”
“He’s made me a laughingstock.” His handsome lips formed a tight smile, but he didn’t look at her. “Don’t you worry, Leona, leave it to me. This will all be over by Christmas.”
***
On the street, she began to walk, then turned to observe the window where Gil labored, smoke curling from the chimney. The image stayed with her as she made her way to the newsstand around the corner and waited patiently for her turn to buy a paper. The sunny day, though cold, had driven people outdoors, well wrapped in fur-collared coats and wool scarves. Woodsmoke and the sharp tang of the river mingling with the scent of baking bread drifted on the breeze. She chewed on the frustration that he wouldn’t share their financial details with her. It made her more fearful not to know. Though she kept the memoir and chapter stories a secret from him, this was hardly the same.
Passing the newsstand, an article about the new bridge caught her eye so she bought the latest Brooklyn Eagle. The previous summer, the four of them, Henry, his wife Helen, herself, and Gil, had stood at the end of Noble Street to watch the construction of the giant caissons in the naval yard. Though approval of the bridge was a long-foregone conclusion, the article was typical of the Eagle’s awful anti-consolidation fear mongering. The article repeated the claim linking the boroughs would only bring the dregs of Manhattan’s Lower East Side into Brooklyn’s pure white Heights. The wrongness of such an attitude churned her stomach.
Leona folded the paper and tucked it under her arm with the folio, sighing. Who would save the poor of this world from the hatred of the rich? Her spirits drooped lower.
She breathed deep the November air on familiar, tree-lined Remsen Street, where she’d lived for two years before marrying Gil in August. The red door of the brownstone opened, welcoming her in. Timothy, the butler, took her hat and coat. Before he disappeared with them, his eyes met hers with a familiar blue twinkle.
“I’ll tell her you’re here,” he said.
“Thank you.” She inhaled the sweet smell of hothouse roses set in vases along the long hallway and waited for word of her arrival to reach Daphne and her nurse Audrey.
Audrey approached from the depths of the house. Her eyes, though hooded, were a pure delphinium blue, blonde hair pinned tight to her head. She wore a plain uniform of dark gray with long cuffed sleeves and a white apron.
“Mrs. Van Wyn is in the Lavender Room.” With a curt nod, she turned away.
When they first met, Leona and Audrey had often shared tea and conversation, but of late Leona felt nothing but a wall of smothered animosity between them. They hadn’t argued, as such, though she had an idea where the strained relations came from.
“Is she well?” Leona asked.
For a moment, she didn’t think Audrey would answer, but the woman turned toward her again. “She passed a quiet night. The laudanum helps.”
Leona frowned. Audrey flicked a dismissive hand and went on her way.
The introduction of laudanum in Daphne’s life began not long after Leona moved to Cranberry Street with Gil that summer. The spas and cures Daphne’s grandson Benedict and his wife arranged didn’t seem to help anymore. The family hired Audrey, who administered the laudanum, a common enough panacea. Laudanum’s presence always disturbed Leona, and she had protested to the family, but no one listened. Audrey had become cold after this discussion. Leona believed some of Daphne’s pain came from her daily battle with grief. Leona often feared her own grief and the overuse of laudanum, prescribed by a respected doctor in Boston, had killed the child from her previous marriage to Jack Davenport. Poor dead Jack.
***
Excerpt from The Last Fatal Hour by Jan Matthews. Copyright 2026 by Jan Matthews. Reproduced with permission from Jan Matthews. All rights reserved.
HALL WAYS REVIEW: The Last Fatal Hour plunges
readers into the world of Leona Gladney, circa 1870, and what a world it is! Leona is a young socialite and granddaughter of a famous poet, she’s married to
a handsome businessman, and life is grand – until it isn’t, and Leona's scrambling to save her reputation and life. Author Jan Matthews
packs in everything from PTSD to the paranormal in this satisfying historical, domestic suspense mystery.
One of the most fascinating, but
infuriating, aspects of the story is the historical element, where the author’s
extensive research shines. Matthews highlights the social norms, expectations,
and limitations put upon women of those times, and it’s often painful to vicariously experience it (or sadly, commiserate since some of those same challenges persist even today).
Pit those standards against our main character Leona, who blatantly (and secretly) bucks
the system, and The Last Fatal Hour piques our curiosity and keeps us
turning pages.
Speaking of bucking the system,
Leona’s backstory of being a soldier who disguised herself as a man is most intriguing. Though this isn’t intended to be the primary storyline, the
resulting PTSD she suffers, as well as a battle with addiction to laudanum, are
sure to make readers want to explore this part of Leona’s life. It feels like a
missed opportunity to not have peeks into the book Leona is writing, Lady
Soldier of the Union Army, as a device to learn more about her experience.
There are subplots galore and a wide
cast of characters to keep straight. The book feels somewhat like it is part of
a series and that readers should already know the characters. There definitely
is potential for a prequel, sequel, or spinoff book. Of course, there are some
folks that Matthews draws intentionally murky and for others, the author gives
enough for readers to know the characters’ hearts, and that’s enough (I’m
looking at you, Ruth and Abigail).
As the story progresses, a major
plot twist is revealed, which sets the reader thinking and plants seeds for the
whodunit element in The Last Fatal Hour. The pace ramps up to an abrupt
and uncomfortable ending, but the Epilogue provides some relief, though not all
loose ends are tied and new questions are raised. Again, the feeling is that
there’s more to come from these characters. I wouldn’t be opposed.
The author’s writing and the
bones of The Last Fatal Hour are solid, with some truly unique and
engaging subplots. The rich descriptions of period fashion, syntax, and the terminology Matthews uses all lend
authenticity to the tale and place readers solidly in the late 1800s. However, there
is inconsistent pacing, plot holes that need filling, and more typos and errors
than should be in a finished copy. Additional editing would have made a real
impact and taken this book to the next level of excellence.
Despite any editorial issues, this
book is one to read, and Jan Matthews is an author to watch. Getting lost within
the pages The Last Fatal Hour is time well spent and leaves readers with
much to ponder.
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