
About Driftless Spirits
About the Author

.png)
Have you signed up to be a Tour Host? Click Here to Find Details and Sign Up Today!
Want to Book a Tour? Click Here


.png)
Have you signed up to be a Tour Host? Click Here to Find Details and Sign Up Today!
Want to Book a Tour? Click Here


The Company named it Operation Ajax. MI6 labeled it Boot. History would call it a coup.
Walker calls it the beginning of the end.
1953. The Company is orchestrating the overthrow of Iran’s elected leader—an operation cloaked in propaganda and alliances. In Rome, Walker is stationed with Leslie, former M16 and now Company agent, and tasked to coordinate efforts between the US and UK. But when resources on the ground become a liability, Walker is forced to make a difficult decision—one that threatens to unravel what’s left of his conscience.
As the coup’s first attempt crumbles and Washington grows desperate, old loyalties shift. Allen Dulles wants results. Kim Roosevelt wants glory. Darbyshire feels left out. And Walker begins to suspect he’s not there to help win the Cold War, but to prove he can stomach it.
From Missouri to Rome to the Catskills to Tehran, EYES TO DECEIT explores postwar American idealism—and the spies who find themselves too loyal, too late, to walk away clean.
For readers of le Carré, Furst, Kanon, and Vidich this is espionage at its most personal—and most perilous.

“Once
power moves in secret, it rarely stops at the border.”
In
Eyes to Deceit, the fourth book in The Company Files series, the United
States is planning a coup to overthrow Iran, but hang on—this isn’t a story ripped
from today’s headlines. We’re not reading about the propaganda-filled US-Israeli
Operation Epic Fury, which appears to have only the goal of bombing Iran to
oblivion. Rather, Eyes to Deceit details 1953’s propaganda-filled,
carefully coordinated, very real US-British-Italianish mission, Operation Ajax.
As author Gabriel Valjan says in the not-to-be-missed Afterword, the rationale for Operation Ajax
was “containment, oil, and influence—but the consequences spiraled far beyond
Iran’s borders.” Sure, go ahead and substitute Epic Fury there. Same holds true.
Readers
are thrown right into the middle of the Cold War and chapters of Eyes to Deceit alternate between
two sets of multinational Company operatives, most of whom were in the first
book, The
Good Man, which I reviewed in 2018.
American Walker and British Leslie are reunited to work in Rome, where they rekindle
their romance while working with rich, powerful, influential Italian, American,
and Iranian people to see that Operation Ajax succeeds. American Jack and Russian
Sheldon are working state-side, where Sheldon is pulled out of his writer’s
life and back into service working undercover at a resort in the Catskills (think
Dirty Dancing and you’re there) to secure assets needed for mission success. In this installment, readers learn much more about Sheldon,
a Holocaust survivor, and German Tania, a young girl he rescued from atrocious
abuse, who accompanies Sheldon to the resort as his niece. Sidenote: Young (but old-souled) Tania
is by far the most interesting person: haunted, cerebral, and wickedly clever. I’ve no
desire to learn more about the horrors she’s endured, but I’d love to see what’s
next for her.
“Gossip
and new money glistened like diamonds.”
As
with book one, in Eyes to Deceit, Valjan does an outstanding job with
the settings (which include New York, Washington DC, Boston, the Catskills, and
Rome), creating a tangible mood with evocative language. His detailed descriptions add to the
authenticity of time and place. Readers are treated to eloquent depictions of cities
recovering from war and everything from high fashion to luxurious locations and opulent meals, providing a snapshot of life in the fifties. Adding to the
realism, the author includes and references many real historical figures such
as: Harry Truman, Dwight Eisenhower, Allen Dulles, Kermit Roosevelt, Norman
Darbyshire, Mohammad Mossadegh, Clare Boothe Luce, and Giulio Andreotti. Even
Audrey Hepburn and Gregory Peck make appearances (and the former a courier for
the Dutch Resistance in WWII? Who knew?)
There
is much more to appreciate in Valjan’s writing. The primary characters are all
well-read, so the literary references—and literary discourses—are abundant,
which warms a bookish-girl's heart. Additionally, it’s the mark of a gifted writer
when he can demonstrate heat and passion in just a few choice words while
keeping details of Walker’s and Leslie’s trysts off page. Thank you for
trusting your readers’ imaginations, Mr. Valjan. Most of the characters are
intellectual, multilingual, and well-versed in history and politics. Valjan
reflects that in intelligent, cerebral writing, with a liberal dose of other-than-English
languages, which again makes my linguistic soul sing.
The
author demands readers keep up, but admittedly, there are more than a few
places that I couldn’t discern meaning or missed the reference for lack of context
or my own historical knowledge. I had hoped for more action, twists, and danger
to our characters, as in the first book. Instead, Eyes to Deceit is more
about backstage negotiations and deliberations, not body counts or violent
encounters: a real surprise in an espionage thriller. My only other quibble is
that there are a smattering of typos and errors that I noticed, which would
easily have been caught by one more editing pass.
Eyes to Deceit is a well-written, provocative piece of historical fiction that when juxtaposed against current world affairs takes the story to a new level. I recommend starting the series at the beginning to have maximum appreciation of the characters and their unique storylines, which will make reading Eyes to Deceit an even better reading escape (though it was nearly perfect as a stand-alone for a rainy day with my grandpuppy on my lap). Gabriel Valjan is a talented, cerebral writer who challenges readers while telling a heckuvagood story. Go on and binge the books!

![]() Amazon | Barnes & Noble | BookShop.org | Goodreads | BookBub |
![]() Amazon | Barnes & Noble | BookShop.org | Goodreads | BookBub |
![]() Amazon | Barnes & Noble | BookShop.org | Goodreads | BookBub |
Tania moved fast, her shoes clicked sharply on the floor. She fished a five-dollar bill from her clutch and approached a housekeeper in the hallway.
“A roll of toilet paper, and in a discreet bag, please.”
The woman hesitated, but Tania’s eyes were steady, unblinking. She slid the bill into the woman’s shoulder strap with practiced ease.
“Take it,” Tania said softly. “In case someone accuses you of theft.”
The woman nodded.
Ruth led the way. Tania followed, her mind already ahead, calculating the next move. In the bathroom, she locked the door and leaned against the wall. She heard Judith’s groans.
“It’s me, Judy.”
“Tania?” Her voice was barely a whisper.
The air was thick with sweat and nausea, sharp like unchanged hospital linens. Tania handed Ruth the roll of paper and a small perfume atomizer.
“Tell her it’s from London. She’ll like it.”
Ruth nodded and slipped into the stall.
Tania stepped back into the hallway, then stopped. A girl sick and humiliated in a stall behind her. She caught her reflection in a wall sconce—lipstick fine, hair in place, eyes clear.
Decide now.
This wasn’t strategy. She wasn’t gaining leverage. And still, her feet moved.
When she returned, Judith was pale, shaken, but upright. Tania offered her the drink.
“Peppermint helps nausea,” she said.
Judith studied her. “I don’t know what kind of game you’re playing.”
“There’s no game,” Tania said. “You have to believe me.”
Judith hesitated. “You and your uncle seem awfully interested in my father.”
Tania unwrapped a mint. “It’s a secret,” she said. “Just not the kind you think.”
She leaned in. “The government wants something your father owns or controls. Sheldon’s the go-between.”
Judith stared at her. “That sounds shady.”
“It might be.”
Judith exhaled. “They spiked my drink. Esther and those girls. Laxatives.”
Tania nodded. “Brutal.”
Silence settled between them.
Tania met her eyes.
“Want revenge?”
Judith smiled.
And didn’t say no.
***
Excerpt from Eyes to Deceit: The Company Files by Gabriel Valjan. Copyright 2025 by Gabriel Valjan. Reproduced with permission from Gabriel Valjan. All rights reserved.




After wandering the peephole wilderness of a private detective for two decades, defrocked Dallas homicide detective Ed Earl Burch is finally an official manhunter again, wearing the badge of a district attorney's investigator working in the harsh desert mountains of West Texas.
Big D, it ain't. And life as a resurrected lawman isn't everything he hoped it would be. Too many rules. Not enough satisfaction. And a boss who hates him for saving his life.
But Burch is back, playing the same deadly game he mastered as a murder cop, tracking a serial killer who tortured and murdered his ex-lover with a straight razor—an Aryan Brotherhood gang leader Burch thought he killed in a desert shootout.
He's also trying to protect the fugitive granddaughter of an old friend and her four-year-old son—from this remorseless killer and cartel gunsels hired by her incestuous Dixie Mafia daddy.
Throats get slashed. Bullets smack flesh. Bodies drop. And Ed Earl Burch and his partner, Bobby Quintero, are in reckless pursuit, dodging death, closing in on their prey.
No place Burch would rather be. Unless he gets killed.
When a man gets hit by a .45 ACP Flying Ashtray or three, by all that's ballistically holy, he ought to get dead and stay dead.
All manner of official paperwork swore he was dead. All of it based on a bogus death certificate filed by parties unknown in the Cuervo County Coroner's Office, with copies popping up like blowflies on a cow carcass. Even the federales had him playing poker with the Devil, his prison mugshot tucked away in ATF and DEA files, DECEASED stamped across his face in bold, black letters.
The con was slick and easy. Money changed hands, files were swapped or ditched, reports were shredded or faked. Somebody else's corpse became him. The relentless power of bureaucratic incompetence and inertia did the rest.
Yessir. According to all that yellowing, lawdog paper, he was nobody they had to worry about no more. Finito. A shade. A ghost who said adios. A good thug now that he was a dead thug. Muerto.
Not hardly.
That's what John Wayne said to all those hombres who thought he was dead in Big Jake. With a growl and a scowl.
Not hardly.
He liked that. Matter of fact, he just trotted out the Duke's line to a guy he used to be tight with. Caught up to him climbing the three cinder block steps to the front door of his desert double wide.
Tapped him on the shoulder, saw the wild-eyed fear when the dude turned and saw who the finger belonged to. Blurted out: "You're supposed to be dead!"
Not hardly. Said it with a growl but no scowl. Then grabbed him by a greasy hank of raven black hair, yanking his head back and cutting a crimson smile across his throat from ear to ear. With a bone-handled straight razor. His favorite.
Threw the guy into the sand at the side of the steps. Listened to the choking gurgle and death rattle. Then licked the blood off the blade.
Not hardly. He tilted his head back and laughed. Savored the kill. Alone and alive. An endless dome of stars glittering in the midnight sky above the rocky desert outback near Radium Springs, New Mexico. No moon. A dead man at his feet. Used to be a member of his crew. Frankie Sheridan.
Met him at Pelican Bay. An Alice Baker brother doing a long stretch for bank robbery. Had a shamrock tattooed on his chest with the initials AB in capital letters—Alice Baker, Aryan Brotherhood. Blood in, blood out. Ex-Army. Knew his way around diesels, alarm systems, and weapons.
Sent him a ticket to Texas when he got out. Made him a member of his crew, smuggling guns and drugs out of a ranch north of Faver, the Cuervo County seat, a bent outfit that ran cattle for cover and fleeced bitter and gullible white trash while promising them the return of the Republic of Texas for Caucasian Christians only, a New Zion based on God, guns, guts, and the Good Book. Niggers, Jews, Arabs, and Spics need not apply.
Bad move. Frankie was a ratfuck snitch. Uno chivato. Not to the lawdogs. Just as bad, though. Frankie sold him out to a rival outfit of gunrunners and drug smugglers. Kept them one step ahead of him as they chased a third outfit that held a cache of stolen military hardware everybody wanted.
Rockets, bloopers, mortars, and full-auto carbines and rifles. Bang-bangs that could tip the scales on both sides of the river. All in the hands of a crew fronted by a flashy woman in jeans, tall boots, a bolero jacket, and a blonde wig. A wet dream for the pendejos she hustled.
La Güera. Just the thought of her caused his molars to grind. He wanted her dead. No, he needed her dead. She and her lover were the reason his life got flushed into the sewer, his crew dead, his stash of guns and drugs long gone. Had him climbing out of the shitter, clawing to the top of the dung heap. Again.
He caught the lover. Sliced off his manhood. Slit his throat. Then chopped off his head and butchered his body to stuff into a giant barbecue smoker. Tucked the man's jewels into his mouth as the crowning touch to a cannibal's mesquite-smoked delight.
Not the same. Didn't have her. She still needed to feel his blade, feel his eyes boring holes into hers as he gave her that crimson smile. He needed to lick her blood off that sharp stainless steel. Taste it. And grin. Only then would the circle be complete. He'd be whole again.
Well, not completely whole.
His right eye was gone, blown out by a glancing hit from one of those .45 ACP slugs that also shattered the orbital bones. Nothing extensive plastic surgery, bone implants and a new glass eye couldn't cure. Had to stack plenty of cash up front to repair damage that severe.
Gave that part of his face a waxy texture straight out of Madame Tussauds. But it sure beat wearing an eye patch and the lopsided face of a Dick Tracy cartoon villain.
His left knee was also shattered, replaced with a titanium joint that allowed him to walk with only a slight limp. Another five-figure hit to his stash of greenbacks.
The man who fired those rounds was also on his payback list. An ex-cop. Big-ass older fucker with a gray beard. Said to be a washed-up Dallas P. I..
Beg to differ, sir. Sumbitch sure kept him from getting to her during that clusterfuck in the West Texas desert. A real Wild West shootout between rival drug gangs wanting the blonde bitch's bang-bangs.
He was oh-so-close to grabbing her up, dodging bullets and bodies, closing the gap between him and Ol' Dude, who was carrying the bitch draped over his right shoulder. He screamed her name and leveled an M-16A1 at the both of them.
"La Güeraaaaaaa! I got you, bitch! Got you now! Gonna slice you wide open and watch you bleeeeeeed!"
Ol' Dude spun on his heel and emptied a 1911 mag at him offhand. Yelled this: "Not today, you cockbite motherfucker. Not in this lifetime or the next." A lefty. On target without dropping the bitch. Only thing that kept him alive was a Kevlar vest that caught the Flying Ashtrays that would have shredded his chest.
Washed-up, my ass. The man wrecked me. His time was coming, though. Count on a reckoning. Soon. But not now. He was working his way up the ladder of a list he kept in his head. One body at a time.
Frankie was the bottom rung. La Güera was at the top with Ol' Dude second. Five other rungs between Frankie and them.
Time to get gone. And get busy.
***
Excerpt from The Fatal Saving Grace by Jim Nesbitt. Copyright 2025 by Jim Nesbitt. Reproduced with permission from Jim Nesbitt. All rights reserved.
"Nesbitt delivers a scorched-earth tale where every shadow conceals an ambush and every road bleeds history. He paints West Texas in colors of rust, smoke and whiskey, and the result is a story that feels carved in stone. This is cowboy noir at its finest."
~ Baron Birtcher, Will Rogers Medallion winning author of Knife River"Ed Earl Burch, who's partial to Lucky Strikes and Maker's Mark, makes Mike Hammer look like Miss Marple. Jim's novels offer wicked humor, an eye for detail, brass-knuck action and language that would strip the paint off a Hummer."
~ Noel Holston, author of Life After Deaf and As I Die Laughing"Jim Nesbitt knows his Texas crime and writes one fine line at a time. Hard-boiled with prickly pears, old leather boots, a bit of tobacco, freshly spit of course, he gets it right."
~ Joe R. Lansdale, champion mojo storyteller and author of the Hap 'N Leonard crime thrillers"A gritty and deadly must-read, THE FATAL SAVING GRACE cements Nesbitt’s standing among the best writers in the pantheon of Southern noir."
~ Bruce Robert Coffin, bestselling author of the Detective Justice Mysteries"Ed Earl Burch is back, and that’s great news for readers who love classic hard-boiled noir, colorful characters, crackling dialogue and plenty of action. Highly recommended!"
~ R.G. Belsky, author of the Gil Malloy and Clare Carlson mysteries"Some would call it justice. Some would call it revenge. No matter what you call it, the concept has been a long running theme of the Ed Earl Burch series. The same is very much true in the fifth book of the series, The Fatal Saving Grace: An Ed Earl Burch Novel by Jim Nesbitt."
~ 'Ace Texas book reviewer' Kevin Tipple

Jim Nesbitt has the perfect radio face, bionic knees that can grind coffee beans and tell time and a cat who poaches his cigars and uses his cellphone to place bets on British soccer. He is also a recovering journalist who once chased politicians, neo-Nazis, hurricanes, rodeo cowboys, plane wrecks and the everyday people swept up in a news event who gave his stories depth, authenticity and a distinct voice.
A lapsed horseman, pilot, journalist and saloon sport with a keen appreciation of old guns, vintage cars, red meat, good cigars, aged whisky without an 'e' and a well-told story, Nesbitt is also the award-winning author of five hard-boiled Texas crime thrillers that feature battered but relentless Dallas PI Ed Earl Burch -- THE LAST SECOND CHANCE, THE RIGHT WRONG NUMBER, THE BEST LOUSY CHOICE, THE DEAD CERTAIN DOUBT and THE FATAL SAVING GRACE.
A diehard Tennessee Vols fan, he now lives in enemy territory -- Athens, Alabama -- with his wife, Pam, and is working on his sixth Ed Earl Burch novel, THE PERFECT TRAIN WRECK. When he's off his meds, he's been known to call himself Reverend Jim and preach the Gospel of Hard-Boiled Crime Fiction.
Catch Up With Jim Nesbitt:

Can't see the giveaway? Click Here!
------- 🕮-------




"Something sinister is unfolding at the bottom of the world. Will you heed the call?"
"From this moment on, you'll know the world is little more than a tiny island in an infinitely expanding sea of cosmic horror."





HALL WAYS REVIEW: Audiobook Review. I read NARROW THE ROAD with my ears and not surprisingly, it's outstanding. It's so outstanding that I'm now turning to the paperback to revisit some exceptionally profound, beautiful, heartbreaking sentences and scenes that only Texas author James Wade can create. Wade has a near-unbelievable talent to tell a tale. (I've read all of his books to date, and I've never been disappointed.)
As always, audiobook narrator Roger Clark knocks it out of the park with his perfect delivery of Wade's words. Clark performs and voices the characters in such a way that we're transported to another place and time. His pacing is perfect (I listened at regular speed), and the audio is glitch free -- because Blackstone Audio doesn't do any differently.
If you enjoy savoring a story slowly and appreciate carefully constructed sentences that evoke all the feels, NARROW THE ROAD is a must-read experience. I expect to see this book on a lot of awards lists this year.




When the CIA sniffs out whispers that an African general—who also happens to be the president’s darling son—may have murdered dear old dad and stashed the body like last week’s leftovers, they send in their best bloodhound: Agent Shawn Wayles. He’s good at two things—digging up dirt and getting shot at in places the U.S. swears it’s not involved.
This time, Shawn’s not alone. He’s paired with an LGBTQ couple who have more secrets than the Vatican and fewer moral brakes.
Their mission? Retrieve the dead president’s body from the general’s paranoid, trigger-happy security team.
Because in this twisted power struggle, it’s not the living who rule—it’s the guy in the coffin. And whoever has the corpse... controls the country.

“Dictatorship, it turns out, runs on favors. And blood. Mostly blood.”
Kudos to Kakande for providing a graphic content warning at
the beginning of THE MISSING CORPSE. He’s not kidding around in depicting the
ugliness that exists in the world, particularly in Uganda, “where the old and
new collided in vibrant symphony.” The author’s descriptions pop from the pages,
forcing visceral reactions: noses will wrinkle at the smells; eyes will tear from
the conditions; cheeks will burn from rage and shame. The juxtaposition of the modern
world against a less-developed one is striking. The author deftly jabs at the
systems that allow such extreme, brutal oppression “in places where democracy
was just another word for the promises men made before loading their guns.”
I did a hybrid reading of this book, alternating between the
paperback and the virtual-voice narration. When listening to virtual narration,
I’ve learned that you can tell quite a bit about the writing – not just syntax but also punctuation. A virtual narrator will pause as the writing instructs it, and
in THE MISSING CORPSE, it’s an easy listen because Kakande’s sentences are so
well-written. In the paperback, I didn’t find a single typo or misplaced comma,
and for that I am grateful. The author nails dialogue, internal thoughts, and
exposition. Well-done!
“…as they climbed the narrow, chipped staircase – an artery of old concrete curling up toward Uhuru Restaurant like a forgotten vein of the building.”
I have only two editorial gripes, which is amazing given I’m
*a tad* persnickety. The first is that much as I love figurative language, and even
as near perfect are Kakande’s similes, metaphors, and personifications, there
are just too many to really appreciate any one of them. To double-check my impression, I opened the
book to a random page, and I re-read an opening paragraph: it is three sentences
long and includes three similes and one metaphor. The next paragraph was five sentences, four containing figurative language. It's overkill. The second issue is regarding
the length of one chapter that doesn’t really do much to move the story forward and barely gives more insight into the characters.
It is nearly twice as long as the next longest chapter and more than double most
others. While it does graphically illustrate the horrific sex-trafficking
market, it could make the point in half the time, and truly, the entire chapter
could have been cut without consequence to the story. A good copy editor would
take a red pen to rectify both of these situations, which would take this very
good book to truly outstanding.
“Even if they are our people, how can they speak if they are dead or too terrified to talk?”
THE MISSING CORPSE is timely and underscores that political
corruption is not bound to any one government. One can’t help reading and
thinking about our current situation in the United States and the unsavory influences
our leaders are asserting (and attempting to assert) in other countries and within our own. There
are more parallels than this citizen is comfortable with, and more than once I
wondered if what I was reading was fact or fiction. Again, it’s a mark of great
writing when the author can make his reader uncomfortable and contemplative.
For readers seeking raw, action-packed, international political thrillers, THE MISSING CORPSE proves to be time well spent between its uncomfortable pages. It leaves us with much to ponder and scenes we’ll never forget. The preview of book three, THE PRESIDENT’S FUNERAL, is intriguing and hopefully provides a spectacular comeuppance readers are left craving after book two.
The General knew—like a rotting tooth you can’t stop tonguing—just how hard his old man had worked to hammer him into something resembling a real man, using boot camps, backdoor deals, and enough disappointment to fill a graveyard.
Before the president found Twitter—sorry, X—for him, he mostly just found disappointment. And not the subtle, quiet kind. No, this was loud, public, teeth-grinding failure. The kind that makes a father grip his whiskey glass hard enough to shatter it. The boy was dull. A wet match in a thunderstorm. The people ignored him like a pothole they’d grown used to swerving around.
The president, who fancied himself a blend of warlord and wise grandfather, had done all the right things—by dictator standards. He’d oiled the machinery, laid the bricks. He'd shipped the lad off to Sandhurst, the British womb for future coup-makers and ceremonial dictators. But the academy spat him out like a bad oyster after just one year. Reason? "Intellectual capacity insufficient for command responsibilities." That's British for “the boy was dumb as soup.”
Panic set in. The president, no stranger to coups or cover-ups, scrambled for another boot camp that would accept his undercooked progeny. And God bless Africa—it never disappoints. Egypt, under old mummy Hosni Mubarak, opened its arms. The president’s warning was clear as day and sharp as a bayonet: “If you fail here, don’t ever mention my name again.” The boy emerged months later with a piece of paper that said he could command a battalion. No one bothered to ask if it was his own handwriting.
Still not satisfied, Daddy rang his buddies in Langley. Mr. Taylor—CIA spook with a neck like a tree stump—hooked him up with a slot at Fort Leavenworth, Kansas. That’s where the U.S. trained its foreign military friends—the ones that smiled for cameras by day and broke skulls by night. The General graduated. Barely. His grades so low they had to be excavated.
Back home, the president, desperate to turn the boy into something—anything—decided to mold him into a public figure. He hired speech coaches, media whisperers, ex-BBC anchors, even a former Miss Uganda who once read the weather on WBS Television. Still, every time the General opened his mouth in public, it was a horror show. His hands trembled like a leaf in a blender. He couldn’t pronounce words. Once, he called “sovereignty” soup-ver-nanny and the room went so silent you could hear careers dying.
But then came the miracle: Twitter. Well, X. Rebranded like a shady funeral home. The president's advisors—witchdoctors in suits—pitched a bold idea: give the boy a Twitter account. Hire a comedian ghostwriter. Make him sound dangerous. Sexy. Unhinged. Like Idi Amin with a smartphone.
Enter the ghostwriter—a washed-up tabloid journalist who once faked an alien sighting in Karamoja and got sued by a Catholic bishop. The guy was perfect. He knew how to stir the pot with one tweet and have the country boiling by lunch.
The General gave him ideas—half-mumbled thoughts between sips of imported whiskey—and the ghostwriter turned them into gold. Tweets like: Kenya has two weeks left. Consider this your final warning. #WeMarchAtDawn
The country gasped. The president “fired” the General. He even sent an apology to Kenya. A public scandal. Oh no, Daddy can’t control his baby boy! The media gobbled it up like pigs at a buffet.
But behind the curtain, the ghostwriter kept churning out wild, headline-drenched tweets. The General was now lusting after Beyoncé and Ayra Starr like a horny war god in fatigues. He made bizarre threats about airstrikes on Tanzanian Bongo Flava concerts. People were horrified. People were entertained.
***
Excerpt from chapter 24 of The Missing Corpse by Yasin Kakande. Copyright 2025 by Yasin Kakande. Reproduced with permission from Yasin Kakande. All rights reserved.

Yasin Kakande is an international journalist, TED Global Fellow, and author of several critically praised nonfiction books, including Why We Are Coming and Slave States, which offer fresh perspectives on immigration and geopolitics. His journalism career includes contributions to outlets such as The New York Times, Thomson Reuters, Al Jazeera, The National, and The Boston Globe. Yasin holds an MFA in Creative Writing from Emerson College and resides outside Boston.

Can't see the giveaway? Click Here!


The truth will set you free – or it will kill you.Kat Lawson’s new undercover assignment has turned deadly. A trip to Vietnam to write a travel feature for Journey International while making a drop to deliver cash and passports for a top-secret operation has gone awry.
Kat has a choice to make and a target on her back. She can live with a secret, or she can reveal a truth that puts her in the crosshairs of an enemy sworn to kill her.
With the lives of trafficked children at stake in a country where agents and double agents trade secrets, Kat must choose between the acceptance of a truth that will forever change her life or living a lie that will save the lives of others.


Have you signed up to be a Tour Host? Click Here to Find Details and Sign Up Today!
Want to Book a Tour? Click Here