HALL WAYS REVIEW. Audio Book
/ Print Combo Review. Even though A Veil Removed is the
fourth of five books in this series, I’m having a bit of reader remorse. I
started with the fifth book, then jumped back to the first and read the first
four in sequence. And now my journey is over. Ever the optimist, I’m holding
out hope that a sixth book is in the works.
Did I mention I’ve now read
all five of the books? *Sniffs. Dabs eyes.* While I think several of them stand
alone, I don’t think A Veil Removed is one of them. But I am glad the author didn’t spend the time
on adding back-story and bring-to-dates because the book was already the
longest of all five in the series, coming in at just over fifteen hours of
listening. For those jumping into the series mid-stream, they will likely be
confused. However, if you’ve read the series books, by the time you get here
you are fully invested in the characters and know what you need to know about
their background. And in this one, we go more in depth with Elsie and have more
action with Henrietta and see Henrietta quite naturally falling into the role
of a wealthy, sophisticated woman – and a ballsy one at that! Go Hen!
“This whole story had a
flavor of egregious unbelievability to it.”
I just love the setting of
1930s Chicago, and one of the best parts of Michelle Cox’s writing is how she
brings it to life through the dialogue. Add to that Cox’s glorious
descriptions, and amazing narrator Jane Entwistle’s perfect performances, spending
time between the pages is really like spending time in that bygone era. Speaking
of the narration, Entwistle voices several new characters with an international
flair, including a French chef (what? A man in the kitchen?) and Gunther, the gentle
German handyman at Elsie’s college. She is quite a talented narrator, and I can’t
imagine having any other partner when I read this series with my ears.
In A Veil Removed, romance
scenes between Clive and Henrietta get a little steamier than the prior book,
but the scenes are natural and not too graphic or over-the-top. The language is
often coarse, as in the other books in the series, but it’s appropriate for the
characters and situations. Cox treats us
to a new mystery that’s solved, resolution to an old one, a couple of big
reveals and throws some new shade around a couple of characters who’ve thus far
been in the background. As has been typical
for the Henrietta and Inspector Howard series books, A Veil Removed ends
with a wide open, holy cow moment (actually, there are two: one each for Hen
& Elsie). You don’t have to keep reading, but you’ll want to once those two
intriguing bombs are dropped.
I must get on my soapbox a
bit here: I am not sure when it became a
thing for authors to be required to not leave cliffhangers. Readers who think
this is a cheat or trickery on the author’s part puzzle me. This is clearly a
series, and authors are entitled to end each installment however they wish. Sure,
I love a neatly tied-up package of plots, but I also like a little something to
ponder and give me a reason to come back for more. Michelle Cox masters the perfect ending balance
by resolving what needs to be resolved and tempting us with what has yet to
develop.
I highly recommend the
series, and I recommend starting it with book one and binge reading through book
five. But brace yourself if you do – you are going to miss this world and its
characters when the series is done.
Though I bought my own print
copy, thank you to the author and iRead Book Tours for providing an audio
download in exchange for my honest opinion – the only kind I give.