Showing posts with label domestic suspense. Show all posts
Showing posts with label domestic suspense. Show all posts

Tuesday, April 21, 2026

Everyone is Perfect Here ~ Partners in Crime Tours Guest Post & Giveaway!

EVERYONE IS PERFECT HERE
by Jane Haseldine

Domestic Suspense / Psychological Thriller
Published by: Severn House
Publication Date: April 7, 2026
Number of Pages: 301

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Synopsis:

Everyone Is Perfect Here by Jane Haseldine

There’s no such thing as perfect.

To the outside world, English professor Carly Bennett is a rising star…. poised, confident and on a fast-track to success. But behind her professional facade lies a childhood shattered by betrayal and her mother’s mysterious death.

Fifteen years earlier, Carly was shipped off to boarding school after being accused of threats she never made and exiled by her beloved mother and wealthy stepfamily. Throughout, Carly clung to her one ally, her stepbrother Julien…. until she discovered he masterminded her downfall.

Julien, now a psychiatrist, reappears in Carly’s life, apologetic and bearing news: before a fatal break-in, Carly’s mother planned to bring Carly home. Vindicated, Carly investigates her mother’s cold case. But doing so unearths memories that cause Carly to question her sanity and finally face the truth.

Was she responsible for her mother’s murder or is something more sinister at play in her former stepfamily’s still perfect world?

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Praise for Everyone Is Perfect Here:

"This tense psychological thriller, where nothing is as it seems, will keep you on edge until the final reveal"
~ Kirkus Reviews

"This was a well-written and complex drama that immediately grabbed my attention, quickly becoming a page-turner as I had to know how this was going to end."
~ Dru Ann Love, Agatha, Anthony & Macavity Award-Winning Author, Raven Award Recipient

AUTHOR GUEST POST
Get to Know Jane Haseldine

Thank you so much for letting me stop by!

Beyond my short author bio and the book jacket copy for my latest domestic suspense novel, EVERYONE IS PERFECT HERE, I’d love to share a few other things about myself and my books.

Here are the top eight things to know about me:

1. My mom was also a writer and journalist. She named me after her favorite book, Jane Eyre. I actually thought my middle name was spelled “Air” until I was in third grade.

2. Even though I’m named after a famous literary character, I always thought my first name was too pedestrian. That’s why I chose more interesting names for my kids. My sons’ names are Nash and Beck.

3. I used to be a crime reporter. My personal experiences covering the crime beat provided real-life insight into my Julia Gooden Mystery Series, which follow a fearless crime reporter still haunted by the childhood disappearance of her beloved older brother, a still unsolved case that fuels her to uncover answers for others that she could never find for herself.

4. Moving a lot as a kid was one key reason that I became a writer. As the perennial new kid in town, I broke the ice with my classmates by asking them questions about themselves. I learned early on that everyone had a story, and I loved to hear them. That helped pave the way for me to study journalism at Syracuse University and make a career out of it.

5. I’ve lived in three countries (Canada, the US, and England--my dad was British), eight states, and in pretty much every part of California (Southern, Bay Area, and Central Coast). Moving around a lot was definitely an interesting ride. It instilled in me the love of adventure, new places, and meeting new people and hearing their stories.

6. My first concept for EVERYONE IS PERFECT HERE centered on a drug that could change a person’s darkest memories. That plot didn’t exactly sing. I went back to the drawing board during the COVID lockdown. I reread Patricia Highsmith’s THE TALENTED MR. RIPLEY, which is epic. I also started binge reading Liane Moriarty during that time, and I rewatched the classic movie Gaslight. Inspired, the new plot for EVERYONE IS PERFECT HERE took shape. The themes of charming and manipulative psychopaths, gaslighting, female friendships, and deceit cemented, and it became the book it is today.

7. I recently finished another mystery, IMPRINT. It’s inspired by a real-life murder mystery in my family. I discovered that an ancestor, who was a young and extremely gifted painter, was killed in 1898. Her story is at the heart of this book. In IMPRINT, a documentary filmmaker researching the murder of her great, great aunt, a supremely gifted artist killed at the turn of the century, uncovers dark secrets about her relative’s short life, and in doing so, must determine whether sudden feelings of déjà vu are merely coincidence, or a warning imprinted in her DNA to save her from the same tragic fate as her ancestor.
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MORE ABOUT THE AUTHOR:
Jane Haseldine is a journalist, former crime reporter, columnist, and newspaper editor, and has also worked in politics as the deputy director of communications for a governor. Jane is the author of the Julia Gooden mystery series from Kensington Publishing and her upcoming domestic suspense novel, Everyone is Perfect Here, from Severn House.
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Where Not‑So‑Perfect Secrets = Perfect Prizes
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Tuesday, December 2, 2025

GRQ ~ Partners in Crimes Tours Book Review & Giveaway!

November 17 - December 12, 2025 Virtual Book Tour

GRQ: GET RICH QUICK
by Steven Bernstein

Genre: Domestic Suspense / Dark Humor 
Published by: Fly on the Wall Press
Publication Date: June 3, 2025
Number of Pages: 142

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Synopsis:

GRQ by Steven Bernstein

One day. One city on the edge. One man gambling it all.

In a Los Angeles rattled by an earthquake and on the brink of collapse, Marlon has twenty-four hours to change his fate. Drowning in debt, reeling from personal loss, and desperate to save his family, he’s seduced by a shadowy financial guru promising salvation. But as Marlon spirals deeper into a web of risk, secrets long buried begin to surface—and his final gamble might cost him everything.

Taut, urgent, and psychologically astute, Get Rich Quick is a gripping descent into the dangers of ambition, delusion, and the American obsession with success.

Soon to be a major worldwide film release.


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BOOK REVIEW
I don't spend time on plot summary, so please read the book synopsis above.

HALL WAYS REVIEW: GRQ by Stephen Bernstein is a quirky, quick, and compelling novella unlike anything I’ve ever encountered in reading. I was reeled in, exactly as the narrator intended, with the first line: DO YOU WANT TO BE RICH? ASK ME HOW, in bold font, and taking up nearly a quarter of the page. Yes! Yes I do want to be rich! Tell me how! (Spoiler: I changed my mind.)

“Usually, you shouldn’t trust a person who asks you to trust them. I mean, if they are telling you the truth, why are they worried you won’t believe them? But I am the exception.”

In a somewhat stream-of-consciousness style, our unnamed narrator strings readers along to the very last page. In turns, the narrator not-so-subtly pitches and preaches to us (often breaking the fourth wall), peppers us with fact-filled and irrelevant asides, while slowly revealing the plot. But within all the “willy-nilly” business of GRQ, the author makes readers want to know the story of the disaster who’s named Marlon.

“The lack of profits from the stocks he hadn’t yet invested in was why he hadn’t paid the mortgage. It was a bit of a paradox.”

Marlon. In Texas, we’d definitely say, “Bless his heart.” IYKYK. He knows all the right terms, BOOM, has all the right equipment, BOOM, and goes through all the right motions, BOOM! – except he doesn’t. He’s a BS’er, and even that isn’t something he’s really mastered other than in his own mind. And even then, he has doubts. In these times when we are nonstop fed the same kind of BS that Marlon and the narrator are dishing out, the social commentary and relevance of GRQ comes in loud and clear: just believe what you’re told. It’s better that way – except it isn’t.

Author Steven Bernstein writes with panache, framing the literal collapse of Marlon’s world around the figurative one. And, quelle surprise that he does it suspensefully; we can’t stop watching this train wreck, and we can’t stop wondering if or how it will all resolve itself. He writes so cleverly and evocatively that readers have concerns and *GASP* feelings. In GRQ, Bernstein doesn’t allow us to go “lurching off willy-nilly,” of course; not even the reader gets off scot-free. Amidst the humor, he also takes us to some dark and painful places, and he leaves us thinking. Eek.

Don’t let the short page count and abundance of white space fool you. GRQ packs a powerful punch delivered in unique and fascinating way. Highly recommend it for a completely different reading experience. (NOTE: for further exploration, Bernstein also wrote and directed GRQ the Movie, which is releasing soon and has a run time of about an hour and a half -- only slightly shorter than how long it takes to read the novella, which is the movie’s basis.)

I voluntarily reviewed this book and received an e-ARC from the author through Partners in Crime Virtual Book Tours.

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Author Bio:

Steven Bernstein, ASC, DGA, WGA is an award-winning feature film director and screenwriter, shaping some of the most visually striking films of the past forty years. His work on the Academy Award-winning film Monster and on Like Water for Chocolate has earned global recognition. He is a recipient of the American Film Institute Award, the Sloan Award (for writing and directing), the Cannes Golden Lion (for commercials), and is an ASC nominee for outstanding cinematography. He has worked on over fifty feature films. He wrote and directed several groundbreaking feature films with major talent (John Malkovich, Samantha Morton, Helen Hunt and many more). His podcast Filmmakerandfans, about the creative process in film production, is listened to by millions.

Catch Up With Steven Bernstein:

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a $25 Amazon gift card!
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This giveaway is hosted by Partners in Crime Tours for Steven Bernstein. See the widget for entry terms and conditions. Void where prohibited.
GRQ by Steven Bernstein [Gift Card]

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Friday, August 15, 2025

What Lies We Keep ~ Partners in Crime Tours Audiobook Review, Excerpt, & Giveaway!

 

WHAT LIES WE KEEP
by Janet Roberts

Genre: Contemporary Fiction / Domestic Suspense / Cyber-Crime
Published by: Porch Swing Publishing, LLC
Publication Date: August 2, 2025
Number of Pages: 338

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Synopsis:

What Lies We Keep by Janet Roberts
Cyber security expert, Ted McCord, has been fired after risking everything in a game far beyond his control.

Charlotte McCord never understood her husband’s addiction to the trappings of corporate life – the titles, the money, the promise of visible success he sees as opposite his Montana upbringing. Ted did something unthinkable to gain a promotion, hid his actions from his wife, then had the tables turned on him. 

Charlotte leans on her friends, but one friend’s secret shocks Charlotte, upending everything she believes about Ted. Unsure who to trust, she jettisons from hurt and anger to the promise of solace from other sources.

Stretching from Pittsburgh’s urban skyline to the beautiful ranch country of Montana, What Lies We Keep is a moving story of corporate ambition that shakes the very foundations of a marriage and asks: What happens when we embrace the life we think we should have rather than the life we have?

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AWARDS FOR WHAT LIES WE KEEP
2024 Winner of the Literary Titan Silver Award
Firebird Book Award
Pencraft Summer Awards for Literary Excellence -Suspense
TAZ Award – Mystery
2025 International Impact Book Awards – Contemporary Fiction/Realistic Fiction
2024 Finalist for the American Writing Awards’ Hawthorne Prize
2024 American Fiction Awards – Best New Fiction
2024 American Book Fest Best Book Awards – Best New Fiction.

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BOOK REVIEW
I don't spend time on plot summary, so please read the book synopsis above.



HALL WAYS REVIEW: AUDIOBOOK REVIEW. First, a warning: Don't read the Goodreads or Amazon book description because, in my opinion, they contain spoilers, and much of the fun in reading WHAT LIES WE KEEP is discovering and uncovering its secrets. Second, I LOVE the book’s dedication – “To all the women, who, like me, found their superpower later in life.” Hear, hear!

Part of why I decided to read WHAT LIES WE KEEP is because of the Pittsburgh, PA setting, which is so familiar to me after spending seven of my formative years there, but also where I visited just a few weeks ago. Author Janet Roberts delivered this setting in spades, making it easy for me to immerse myself in the stories within the pages. From the cover showing the Roberto Clemente Bridge, to the characters exploring Phipps Conservatory, working on the River Rescue team – and drinking IC Light – I enjoyed all the details to make the setting feel real. Even when the setting moved to Montana, a place I haven’t been (but which seems to be wildly popular with authors right now), Roberts makes the scenes and serenity pop to life.

“He could only pray he would see a ladder leading out of this dark pit of lies.”

As one might surmise by the book’s title, this book is ALL about lies and how one lie begets another and the pile of them soon becomes seemingly insurmountable. In WHAT LIES WE KEEP, what’s shocking is the sheer quantity of liars in the mix. From white lies to whoppers, it’s stunning to learn of them and see the fallout from them. JUICY. A friend of mine (from Pittsburgh, no less) often says that nothing is unfixable, and there’s much truth to that in life and as this literature unfolds. The question is: how much damage will be done in the process?

There is a wide cast of characters in WHAT LIES WE KEEP, and a few could have been left on the cutting room floor without impacting the story (and maybe a few of the subplots, too). But those who are left are richly drawn, fleshed-out people. The secondary characters of Jesse, Grace, Rosalind, and even Nate, are the most appealing and individuals I’d want to know; everyone needs humans like these in their lives. In WHAT LIES WE KEEP, the author does a great job of pulling on the readers’ heartstrings, especially with the relationships between characters. Roberts provides some beautifully written figurative language (like “the cloak of secrecy and fear that hung across his shoulders…” FAB) and reminds us how bad choices can have remarkably far-reaching consequences. 

“Charlotte locked both Ted and the threads of her marriage in a little box in her mind, a problem to face later, and changed the subject.”

The real struggle for me in reading WHAT LIES WE KEEP is that it never seems to know what it wants to be.  White-collar cybercrime? Relationship deep-dive? Treatise on trust? It feels like it’s going to be about the cyber-crime, (that hasn’t actually happened), and making sure the baddies get caught. But that gets left behind for a while as we shift from Ted’s story to Charlotte’s story. I kept waiting for us to return to Ted’s story to get some balance, but instead, readers are mostly told about how things go for him. Then back to the cyber-crime and a focus on a secondary character, and some great action. Then back to Charlotte, where we’re steered towards applauding her when frankly, Charlotte acts a bit haughty and superior despite having her own set of betrayals. It felt lopsided towards Charlotte having her needs fulfilled with not enough forgiveness for her husband and his getting his needs fulfilled, too. A tighter developmental editing would take this book from great to outstanding.

Since I read the book with my ears, I’m blissfully unaware of any writing errors. (I recall only one pronoun error that caught my ear -- an “I” instead of a “me”). Clearly, there’s a reason WHAT LIES WE KEEP has won so many awards. Sentences and dialogue flow well and keep readers engaged. While listening, I settled on 1.15x speed, and the pacing is great. However, narrator Jesse Weimer’s uneven tone and diction sometimes made it hard to hear and understand the words without having to increase the volume. Based on his pronunciations of words with ‘out’ in them (about, house, etc.), Weimer sounds Canadian, which sounds nothing like a Pittsburgh accent but Montana rancher? Perhaps? There are a few odd pauses and pronunciations, but overall, the narrator’s performance is more riveting than distracting, which is as it should be for an audiobook.

There are many hurdles that readers will encounter with the multiple people and plotlines weaving in and out of WHAT LIES WE KEEP.  It doesn’t seem possible there could be any kind of HEA. Yet, Roberts surprises us by perfectly tying up the loose ends and giving us some twists, turns, and delicious come-uppances along the way. And *GASP*, she even leaves us a little hopeful.

I wouldn’t hesitate to read another book by Janet Roberts, and I think many readers will enjoy WHAT LIES WE KEEP. In fact, I now have a lovely autographed print copy of it, and I expect I’ll re-read the story when I’m feeling the need for a bit of the ‘burgh.

Though I purchased the audiobook, I voluntarily reviewed this book and received a Review Copy from the author through Partners in Crime Virtual Book Tours.
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Read an excerpt:

Chapter 1

The digital screens on the kitchen appliances screamed 5:00 a.m. He knew he should crawl back into bed. It had been like this for six months now, ever since the promotion at work. Waking up with sweat across his brow and his back just before the reoccurring dream headed toward a disastrous end, as if his mind were a savvy film editor cutting out an ending he hadn’t the fortitude to handle. Each time, he carefully felt the area around his body, without waking Charlotte, to make sure it wasn’t so bad that the sheets were damp, and then walked as quietly as possible to the open area of their apartment housing the kitchen and small living room. No amount of effort to return to sleep worked these days. Nagging concerns that it was more premonition than dream rolled up in him with all the discomfort of a chronic stomachache. Logging into his work laptop settled his fears. Focusing on a stack of emails—a pile of problems to be solved and tasks to be completed—reassured him that he was necessary, valuable, not someone they would discard like an old rag no matter what he’d done. In his mind, there had been no way but the path he’d chosen. But words didn’t seem to alleviate the mild trembling in his hands.

Lies were like that. They felt justified as a route to sparing others hurt, a path to keeping things balanced, a necessary evil. Lies spawned subsequent lies until the entangled mess required putting one’s ethics on the shelf now and then to simply manage life. This was the well-worn mantra Ted told himself in the wee hours of the morning to justify how he’d moved up and into a manager role. They needed the money. Jesse needed the money. He’d put everything he held sacred on the line. He couldn’t allow the twin detractors of guilt and regret to weaken his resolve. He’d done what he needed to do for the people he loved most.

It was quiet at this hour, streetlights reflecting against windshields sprinkled with soft, multicolored leaves and a touch of dew that wasn’t quite frost. Late September always hinted at colder weather just around the corner. A few more hours and the neighborhood would awaken. People brushing off the comfort of blankets and sleep would appear below to warm up vehicles parked bumper to bumper in urban uniformity along both sides of East End Avenue. Others would hurry to the bus stop to catch the 61A. The world around him stepping into the day. Ted’s itch to join their ranks felt as natural as breathing. It was all he’d left his life in Montana to pursue.

Similar to the residences of most of their neighbors, the roomy but older apartment harkened back to another time. A solid brick building whose faded glory showed in the slight dip and sag of the front steps, old woodwork in need of refinishing, plumbing with ancient cast-iron pipes, and registers emitting solid boiler-powered heat. A faded, elderly lady in need of a facelift with all the architectural character Charlotte loved. Ted wished they could buy a home in the neighborhood, but he’d told Charlotte he lusted after the big, refurbished homes near Frick Park or the luxury condos on Mt. Washington. Another lie placed carefully to postpone a little bit longer her aching desire to own a home, just until he could restore the funds missing from his account at the company’s credit union, which he’d drained. Thankfully, the account was in his name only. A few more months and he’d have replaced at least three quarters of what he’d felt forced to remove. His promotion to manager was making that possible.

“Tell her the truth about the ranch,” Jesse had advised.

“She’ll want to move back to Montana,” Ted had said. “You know she has this fantasy about living there.”

“Would that be so bad?” Jesse replied.

Just thinking about the endless hours in the saddle herding cattle, sore muscles from the physical labor, then falling into bed exhausted, worn out, only to do it again the next day made the muscles tighten in Ted’s neck and shoulders. He felt a slight pain and, looking down, realized he’d clenched his hands at the thought of returning, to the point where tension ran all the way up his arm and into his shoulders. Jesse viewed ranch life as freedom from the chains of a rigid, corporate structure. Freedom to work for himself and to answer to himself only, to own his own destiny. Ted saw it as a beautiful trap, the land and mountains casting stunning views on a life where progress, as Ted defined it, was limited. He saw freedom in a place where his computer skills and cyber knowledge prepared an even path upward to clearly definable roles that would fund a nicer, easier life for his family. He and Jesse had had discussions about this, a few of which were heated, so they’d agreed to disagree and move on. Charlotte alternated between agreeing with him and then with Jesse, her chronic indecision making Ted feel he was required to make the tough decisions.

“It’s not what I want. And it’s not really what she would want once she got a good taste of it,” he told Jesse, hoping to shut down the topic.

“You never know. It could turn out to be really great for both of you, and I’d love for you to live closer. You could work in Bozeman, and I’d run the ranch.”

“Yeah, we miss you too, but no, Jesse, I’m not leaving the opportunities here for some smaller place with no career path.”

“It’s your call, brother.” Jesse sounded more resigned than disapproving, tired of what was a conversation they’d had before.

“Dad should have left the ranch to you. We both know that,” Ted said. “And even if he had, I’d still be helping you when times got tough.”

“He loved you more,” Jesse answered. “We both know that too.”

Jesse, his younger brother who loved their family ranch, who lived a straight and honest life, who loved but rarely understood Ted. He wished he could be fully honest with Jesse. All this hiding secrets from people he loved, covering up old lies, creating new ones. Only a few more years and he could sign that ranch over to Jesse, shake the albatross from his shoulders along with the memories of the last words between him and his father, and move on. Another six months and he could pretend he’d settle for a house in their neighborhood and hire a realtor.

“Hey, there . . . couldn’t sleep again?” He didn’t realize Charlotte was in the living room until she slid down next to him on the couch, resting her head on his shoulder as his fingers tapped the laptop keys. “How long have you been out here?”

“About an hour, I guess.”

“You work too much.”

She looked beautiful—hair tousled, eyes drowsy as they fought the need for a little more sleep. He knew she was weary of him working long hours.

“I tried to go back to sleep and I couldn’t, so I figured I’d get some work done,” Ted said as he carefully minimized the screen and slid his hand over the USB flash drive he’d inserted earlier.

“It’s not healthy, Ted,” she replied. “We need to get you a sleeping pill or some solution to this insomnia. I’m going to ask Dr. Collins tonight.”

“The therapist can write prescriptions?” Ted fought the urge to roll his eyes, as he did, privately, about most things related to Dr. Collins. It was his first experience with a marriage counselor and, he hoped, his last. He’d agreed to go because he loved Charlotte and she thought this was the key to some sort of marital happiness. He thought otherwise but kept his comments to himself.

“She’s a licensed psychiatrist. She can prescribe medication.”

“I’d love to sleep a good eight hours,” Ted said. Dr. Collins might prove to be good for something after all, even if it came in the form of a little white pill.

Seven years of marriage and several months of marriage counseling had taught him a few things, such as when to keep his mouth shut and when to agree.

“Did you work on your list . . . for tonight?” Charlotte tapped the cover of Ted’s iPad, closed and lying on the coffee table.

“Done. Insomnia was good for something, I guess.” The marriage counselor had asked them to create a list of what they loved about each other and what drove them to the problems they’d been facing. He’d thought about objecting to what seemed a silly request that solved very little, but Charlotte had leaned forward, excited, attaching herself to the counselor’s words. “I had zero problems listing what I love about you.”

Ted smiled at her as, in a flash of memory, he could see her auburn hair lifting on the breeze while they rode horses across the land and into the mountains near his family’s ranch. His sole thought had been to wonder if she would agree to marry him as he nervously fingered the ring box in his jacket pocket. He’d envisioned a life for them with a steady income they could count on, medical benefits, a modest home of their own, children. The opposite, in his mind, of the insecurities of ranch life. They’d been halfway to that dream when his parents died in an automobile accident, and he discovered his father actually could reach back from the grave to maintain a level of control over him. Their deaths had created the uphill battle he found himself trudging along now.

“Can I see it? Your list?” Charlotte asked, reaching for his iPad.

“No, we’ll do this together, later . . . with the counselor.” Ted grabbed the iPad and popped it into his backpack, removing the USB from his work laptop at the same time. He’d need to actually create a list, quickly, during his lunch hour. “How about your list? Done?” He was a little nervous about what she might say about him tonight.

“Hmmm . . . sort of.” Charlotte stood, heading for the kitchen. He could hear her opening cupboards, pulling items to make coffee.

“I’d say you don’t trust me, which makes list-making hard, but I know where that will take the conversation.” He purposefully kept his tone light, something practice had made perfect where this topic was concerned, but he still felt an anger that never quite grew a scab and healed.

“I let that whole San Francisco trip go. You know that.” Ted watched her move around the kitchen, her back to him, alert for body language that said otherwise. Maybe arms crossing her body, biceps tightening, chewing on her nails. And then, there it was as she yanked the cabinet door so hard it banged and pulled out one, not two, coffee mugs.

Ted knew she was lying. It ate at her insecurities that he’d gotten drunk on a business trip, woke up fully clothed, his coworker Missy asleep next to him, his mind a blank as to how she’d ended up in his room. The story had trickled out, with various twists, until it reached Charlotte. He’d been explaining ever since that nothing had happened. But who was he to call anyone out on lying these days?

“We were happier in Montana,” Charlotte said. “We were more . . . more . . . I don’t know, centered? Before you took this job, we were different.”

Here we go again. Ted clutched the arm of the couch and closed his eyes, willing himself to keep the inward groan rolling up his chest from escaping through his mouth.

“We were kids then, Charlotte. Everything was easier. We’ll both be thirty years old this year, and I want to move forward, not go back,” Ted answered, hoping his voice sounded steady, calm, the opposite of the turmoil flushing his cheeks. He turned sideways on the couch, watching Charlotte move gracefully around the kitchen. “A ranch is nothing but hard work and very little money. We have a nice life here.”

This was the kind of crap he thought they should hash out in counseling and that, if Dr. Collins was as good as she claimed, their sessions would be less one-sided in favor of Charlotte. But he wasn’t about to drop a bomb in their marriage therapy sessions and start a fight. He’d decided after the first round with the good doctor that her goal was to agree with Charlotte about what key topics they should be covering and he was just along for the ride. Not that the topic of Charlotte’s ideas about living in Montana didn’t come up with the counselor, but it never moved from what Ted viewed as a fantasy lens of “living a simple life” to reality. There he sat with two women who had grown up in the city’s suburbs, their biggest childhood chore involving keeping their bedrooms clean, as the only expert on actual ranch life in the room but deferring to Charlotte’s view to keep things amenable. To Ted, simpler meant poorer. Neither Charlotte nor Dr. Collins had ever had to live that kind of life. What he’d gleaned so far in their five months of therapy was that meeting in college, dating exclusively, marrying quickly following graduation, and having a child two years later had left them unprepared for the hard work of marriage in a way that didn’t appear to affect other couples they knew.

Charlotte ignored him, pulling down cereal for breakfast, bread and peanut butter to make and pack a sandwich for Kelsey’s lunch, and refusing to answer. He supposed she knew it could end up in an argument and she’d rather drop it now, hash it out later. But Ted thought they could save a lot of money on therapy if they could simply talk things through without a mediator and without anger and tears. The last time he suggested this, Charlotte said they would revert to the habits they needed to break rather than chart a new course. He assumed she thought therapy would accomplish some sort of new life for them. He was relatively cynical regarding the outcome she envisioned, but he’d keep showing up and giving it a try. Somewhere within himself he knew it was a half-hearted try, and this, alone, doomed the therapy journey to a less-than-successful outcome. If he could keep his current plan on track, he’d buy a house for his family in less than a year, and that, he believed, would be a much more effective game changer than Dr. Collins.

“You have a full day today?” Ted asked.

“What?” Charlotte paused, brows pulled inward in confusion. The brewing coffee was beginning to smell good.

“You’re making Kelsey a sandwich, so I thought she must be going to the kindergarten after-school program rather than home with you.”

“Oh, right, right . . .” Charlotte nodded, turning back to the kitchen counter. “I’m at the museum until noon, then lunch with Leah, and I’m on a deadline for an art gallery review for the newspaper . . . plus we have counseling later. I’ll pick Kelsey up a little later than usual, and then Shay said he’d babysit.”

Shay, Ted’s colleague at work and best friend since their move to Pittsburgh. Other than Jesse, he’d never had as close a friendship with another man. He valued Shay like a brother. Shay had run interference after the San Francisco debacle, but he’d warned Ted that one more mistake that big and Charlotte would leave.

Ted walked into the kitchen and poured cream into the bottom of a mug, then added the coffee, one of the few habits he’d picked up from his father.

“Can you grab a coffee and sit with me before we go our separate ways?” Ted asked.

Charlotte’s face softened, and she brought her mug—black, no sugar, he knew—with her, sitting down slowly, careful not to spill the hot liquid. He took her hand and squeezed, feeling the current between them he’d felt on their first date, a connection that all the ups and downs in their lives had not yet diminished, even when they chose to ignore it out of anger or disappointment in one another.

“Before my job, we were poor,” Ted said. “We agreed Pittsburgh had better opportunities. You wanted to be near family, but now you rarely make any effort to see them beyond asking if they will babysit Kelsey.”

“You know how difficult my mother can be, Ted,” Charlotte responded. “And be honest . . . you don’t really like my family all that much.”

“I like some of them . . . maybe not your mother,” Ted answered jokingly, hoping to lighten the mood with what was usually their mutual annoyance with Charlotte’s mother. “The ranch should belong to Jesse. He loves Montana. He loves his life. And we can always visit.”

“Should belong?” Charlotte was staring at him now, that questioning look she got when she was working on a new story for the newspaper crossing her face. “Art left the ranch to Jesse because you didn’t want it.”

“Right,” Ted said, quickly covering the slip. “I meant the ranch should always belong to Jesse.”

“Yeah, of course,” Charlotte said.

It saddened Ted to see the wistful expression on his wife’s face. If he kept pushing this conversation, he would open the door to something unpleasant.

“Let’s talk about Montana vs. Pittsburgh with Dr. Collins, okay?” Ted hoped he could find a way to convey that moving to Montana wasn’t necessary. Charlotte and Kelsey did not take a back seat to his work life, as she often claimed. Nothing could be further from the truth. Everything he’d done, everything he was doing, was for the wife and daughter he could not imagine life without and the younger brother he loved deeply. Jesse deserved that ranch, and Charlotte deserved to own rather than rent a home.

Charlotte nodded and gave him a tired half smile.

“Finish up that coffee. I’m going to take a shower,” Ted said, standing and heading toward the hallway leading to the bedrooms and bathroom. He wanted to wash it all away, the sleepless nights, the lies he’d just told, yet again, woven into the fabric of the ancient lies his father had dumped on his shoulders.

“Don’t be late tonight, Ted,” Charlotte called out behind him.

She’d laid down the rules months ago. Go to marriage counseling, or she was taking Kelsey and moving out. He hadn’t missed a session, and he wouldn’t, no matter what the day would bring.

***

Excerpt from What Lies We Keep by Janet Roberts. Copyright 2025 by Janet Roberts. Reproduced with permission from Janet Roberts. All rights reserved.

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Author Bio:

Janet Roberts

Janet Roberts writes character-driven, contemporary fiction set wholly or partially in Western PA, where her roots run deep. Her readers know to expect a female character who awakens to the discovery of her own inner strength while facing adversity. 

Her poetry has been published in the Pittsburgh Post-Gazette and in San Fedele Press’ Art in the Time of COVID-19. A member of Women’s Fiction Writers Association (WFWA), Pennwriters, and Sisters in Crime, she’s a former global leader in cybersecurity education and awareness with over a decade of experience. 

She lives in Pittsburgh, PA, where Frick Park is her favorite place for a hike. She loves travel, wandering through bookstores in other countries, reading on her porch swing, and sharing a bottle of wine with friends.

Learn more about Janet Roberts at:

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