Monday, November 24, 2025

Father Lost,Child Found ~ Great Escapes Book Tours Spotlight & Giveaway

 
FATHER LOST, CHILD FOUND

(A Chic Charlie Novel, #3)
by JANE ELLYSON

Australian Cozy Mystery
Publisher ‏ : ‎ Stanley Press
Publication date ‏ : ‎ September 20, 2025
Paperback Print length ‏ : ‎ 236 pages

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About Father Lost, Child Found

Galina-Elizabeta Ivanof’s father died in an accident on an oil platform, twenty-four years ago. During a speech at a funeral, doubts are raised about the cause of Aleksandr Ivanof’s death, sending Galina on a dangerous search for the truth. 

Charlotte Wyatt-Harmon has taken a break in cycling from Hua Hin to Phuket. While shopping at markets near the border with Myanmar, someone leaves a child in her basket, sending Charlotte on a frantic search for the mother. 

Mason Murray is a journalist with a personal interest in crop circles. Some believe these patterns were created by extraterrestrials and Mason is determined to find out for himself.

These amateur sleuths learn that everyone is hiding something: a secret, a spy, even an alien presence. 
FATHER LOST, CHILD FOUND delivers a twisty-turny plot until the very last page.

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About Jane Ellyson

Jane Ellyson has written six novels across the action, adventure, and romance genres. Having lived in Europe and Asia, in addition to her native Australia, her stories frequently visit beautiful locations. She currently lives at Possum Creek, just out of Bangalow in northern New South Wales, Australia – well she would if she was real – rather than being the pen name of someone who would prefer to remain anonymous. Previous novels include: 
Over Byron Bay ~ Substitute Child ~ Roman Roulette ~ Missing in Myanmar
Nonsense in the North ~ An Extraordinary Wedding ~ Alone with a Tasman Tiger 

Author Links:

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GIVEAWAY! GIVEAWAY! GIVEAWAY!
ONE WINNER receives a $10 US, Canadian, or Australian
Amazon Gift Card + a signed copy of
Father Lost, Child Found!
(ends midnight, EST, 11/27/25)



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TOUR PARTICIPANTS
November 17 – Jody's Bookish Haven – SPOTLIGHT
November 18 – Maureen's Musings – SPOTLIGHT
November 19 – Christy's Cozy Corners – AUTHOR INTERVIEW
November 19 – Guatemala Paula Loves to Read – SPOTLIGHT
November 20 – Deal Sharing Aunt – AUTHOR INTERVIEW
November 21 – Books, Ramblings, and Tea – SPOTLIGHT
November 22 – Sapphyria's Book Reviews - SPOTLIGHT
November 23 – Sarandipity's – AUTHOR INTERVIEW
November 23 – FUONLYKNEW – SPOTLIGHT
November 24 – Boys' Mom Reads! – REVIEW
November 24 – Hall Ways Blog – SPOTLIGHT
November 25 – Escape With Dollycas Into A Good Book – REVIEW
November 26 – Salty Inspirations – CHARACTER GUEST POST

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Friday, November 21, 2025

Hoglets' Great Egg Hunt ~ Children's Book Review

 
HOGLETS' GREAT EGG HUNT
Hoglets, Prickles and Primrose Series, Book Three
by Lynette Creswell
illustrated by Doriano Strologo

Illustrated Children's Book / Early Reader / Holidays
Publisher: White Rabbit Books
Publication Date: November 4, 2025
Pages: 32 pages

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ABOUT THE BOOK: The eggs are ready, but the Easter Bunny’s sick.

When the Easter Bunny catches a cold, the Egg Hunt is in jeopardy. Determined to save the day, two brave hoglets, Prickles and Primrose, team up with their friend Rosie Rabbit on a race against the clock to decorate and hide the eggs.

With mischievous Freddie Fox up to his old tricks and a secret helper working behind the scenes, surprises await at every turn.

Can Prickles and Primrose save the hunt?

Through teamwork, kindness, and a sprinkle of wonder, the friends embark on an unforgettable adventure, ensuring the hunt remains as special as ever.

A delightful tale in the spirit of Peter Rabbit and The Gruffalo.

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BOOK REVIEW
I don't spend time on plot summary, so please read the book synopsis above.

Hall Ways Review: Hoglets’ Great Egg Hunt is the third book in the new-to-me Hoglets, Prickles and Primrose series by UK author Lynette Creswell. Children love stories with familiar characters and going on new adventures with them via books, but even kids unfamiliar with the series won’t struggle due to the helpful page at the start that shows the main animal characters of the Briar Woods.

The illustrations found in Hoglets’ Great Egg Hunt are colorful and bright, and expressions on character faces are easy to identify. Doriano Strologo’s attention to small details, like rabbit paw prints tracked across the pages and texture across flowers, makes each page-turn engaging for young readers. I appreciate that the graphics are created by a human, so children can see rough edges and textures not found in AI generated versions. 

The format alternates full pages of text with plenty of white space and adorable embellishments, with full-page illustrations.  It leans towards being an early chapter book, so I recommend this book as a read-aloud for kids under six and a read-along for newly-independent readers.  My review copy is digital, but as always, I believe children’s books are at their best in a format that allows for turning and touching real pages and doesn’t require charging. The additional activity for readers to find the hidden egg on each page adds more appeal (and further builds the case for reading on paper; excited fingers touching eReaders tends to have consequences).

Hoglets’ Great Egg Hunt is well-written, with a perfect mix of on-level and stretch words, and it’s gloriously error free. Beyond the pure pleasure of the story, it could be fun to discuss the small differences between American and UK writing and culture highlighting, for example, cozy versus cosy, color versus colour, mom versus mum, hard-boiled versus raw eggs for dyeing, and even “blimey” as a fun exclamation.

This Mimi is now a fan and can’t wait to share Hoglets’ Great Egg Hunt with my granddaughters. But first, since we’re approaching the holidays, I will be going back to the series starter, Hoglets’ Christmas Magic, which also has an audiobook version with a narrator who has a delightful cross-the-pond accent.

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Learn more about author Lynette E. Creswell

and her diverse catalog of books:

Website *** Goodreads *** X *** Facebook

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Wednesday, November 19, 2025

Part of the Solution ~ Partners in Crime Tours Book Review, Excerpt, & Giveaway!


Virtual Tour November 10 - December 5, 2025

PART OF THE SOLUTION
by Elana Michelson

1970s Counterculture / Mystery 
Published by: Torchflame Books
Publication Date: July 15, 2025
Number of Pages: 294 pages

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Synopsis:

Part of the Solution by Elana Michelson

"Michelson's first-rate mystery novel...makes for addictive reading." –Foreword Clarion Reviews

It's 1978, and Jennifer Morgan, a sassy New Yorker, has escaped to the counterculture village of Flanders, Massachusetts. Her peaceful life is disrupted when one of her customers at the Café Galadriel is found dead. Everyone is a suspect—including the gentle artisan woodworker, the Yeats-wannabe poet, the town's anti-war hero, the peace-loving Episcopalian minister, and the local organic farmer who can hold a grudge.

Concern for her community prompts Jennifer to investigate the murder with the sometimes-reluctant help of Ford McDermott, a young police officer. Little does she know that the solution lies in the hidden past.

Part of the Solution blends snappy dialogue, unconventional settings, and a classic oldies soundtrack, capturing the essence of a traditional whodunnit in a counterculture era. ​

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BookShop.org | Torchflame Books

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BOOK REVIEW

I don't spend time on plot summary, so please read the book synopsis above.

HALL WAYS REVIEW: 4.5 STARS. PART OF THE SOLUTION by Elana Michelson treats readers to quirky characters living in an idyllic countercultural community in 1970s America. Life is good until a life is lost, and that pesky old real world threatens to knock down the walls of their alternate reality.

The characters' desire for retreat to a safe community where the woes of the world don’t creep in is understandable (and relevant today). The town of Flanders, Massachusetts, just down the road from a college campus, is that place for many people; however, there are others who don’t appreciate their lifestyle, “Flanders had been invaded by an opinionated, motley collection of sixties refugees.” That tension within the town is interesting, but it disappeared quickly and is not the focus of PART OF THE SOLUTION.

What is the focus in PART OF THE SOLUTION is the characters, most of whom are full of vigor and high on their righteousness, as twenty-somethings tend to be – and set in 1978, often, they are literally high, too. Each member of the core group of players is easy to visualize, thanks to Michelson’s detailed descriptions of not only their looks but their attitudes, political stances, and personalities.

Less clear are the characters' ages; I had to do math and tap my limited knowledge of the Vietnam War to get in range. (Hmm. 1978 – [US leaves Saigon] + 4 years grad school + [give-or-take] 40 years = 26ish in '78 and 60-something years old and/or maybe 2018?) I established that main character Jennifer was likely born ten to fifteen years before me. I was twelve and living in North Texas when the bulk of the story happened, and me and my world looked different from that of PART OF THE SOLUTION (even with my siblings six and eight years older -go figure). But, Michelson’s world is atmospheric and nostalgic, sprinkled with retro attire and style, record players and tapes playing Bob Dillon and Joan Baez, and a readily available variety of recreational drugs.

“If New England, he told himself, was Deerfield Academy and Lord Geoffrey Amherst killing Iroquois for the king, it was also Mother Jones and Big Bill Hayward and the striking workers at the Lawrence textile mill.”

PART OF THE SOLUTION is a sharply-written, cerebral novel. I give high marks for the diction and cultural, historical, and literary references dropped throughout the book. These pair well with several of the characters personalities and their life in and around academia. Readers who are afficionados of the times, or were adults in the seventies, will likely recognize the referenced movements and protests of those times. I’m not sure younger readers will understand draft lotteries and dodgers or needing a dime for a phone call. But for me, even being a tween then and an English major some years later, I am a little embarrassed by how much time I spent checking Merriam-Webster, and I used Google more frequently than I care to admit. This took me out of the story, as did the frequent point-of-view changes that happened not only in back-to-back paragraphs but also within single paragraphs, which forced regular re-reading.

Nonetheless, I read PART OF THE SOLUTION in one seating and stayed engaged primarily because I needed to see how the contemporary-set prologue would resolve itself, but also because of the mystery behind the death of one character and near-death of another back in 1978. The author provided a satisfactory, somewhat open-ended solution to the former and resolved the whodunit parts of the latter in unique and clever ways. And, I appreciate that unlike many mysteries, the characters really struggled with the horror of what had happened and felt unsettled with the case unresolved.

It's no secret that editing is very important to this reader, so I would be remiss if I didn’t mention the stellar job Michelson’s team has done with PART OF THE SOLUTION. Extra credit is given for the “permissions” section at the end of the book, which shows that the author jumped through the proper and legally required hoops to use copyrighted words from songs and texts within a novel. Sadly, many authors don’t do this (and I fear they don’t know and/or don’t care that they should), and it’s disappointing.

I absolutely recommend PART OF THE SOLUTION as an engaging, sometimes challenging novel with a retro vibe, original cast of characters, and refreshing mystery angle. 


I voluntarily reviewed this book and received an e-ARC from the author through Partners in Crime Virtual Book Tours.
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Read an Excerpt:

Chapter One

Jennifer surveyed the café with satisfied proprietary eyes. The freshmen at the two corner tables were an excellent sign. Having arrived in Williamstown the day before, having unpacked their carefully faded blue jeans and dispatched their carefully dry-eyed parents, having found their way to the registrar’s office and the bookstore with barely concealed terror, they had, no doubt, asked whomever they could find where, you know, it was happening. And they had been sent straight to Café Galadriel to nurse their bludgeoned intellects and wounded sexuality on Jennifer’s coffee for the next four years.

Around them, the unmatched wooden chairs and tables of the café held the usual Monday afternoon crowd. Brownley (Philosophy) and Krasner (Sociology) sat over a game of chess. The Western Massachusetts Women’s Anti-Violence Task Force occupied the round table in the center of the room. Samir Molchev, self-styled seeker of truth, was alone at a corner table reading Suzuki’s The Field of Zen. On the salmon walls, a pre-Raphaelite poster of the Lady of Shallot hung beside a poster of Che Guevara. It will be a great day, read the sign above Wendy’s bakery display case, when schools get all the money they need and the Air Force has to hold a bake sale to buy a bomber. A tattered sofa occupied one wall of the room, the coffee table in front of it piled with backgammon sets and old copies of Ramparts magazine. A Bob Marley tape played on the stereo.

It was the moment of the year when the café was moving into autumn, away from its summer tourist mode. Behind the cash register, Wendy was packing away the pitchers that had held iced tea and cold cider. Her summer uniform of paisley sun dresses had given way to long sleeves and flowing, ankle-length dresses. Short, with a rounded body and small face, Wendy’s size was belied by clothes that began at her shoulders and fell draping to the floor. Her curly, dark red hair followed the same line, rippling down her back and ending just above her waist. Jennifer, whose knowledge of poetry had outlasted work on her dissertation, would have occasion to wonder in the coming weeks if Wendy hadn’t modeled herself on the Tennyson heroine behind her on the wall.

Jennifer herself was at her usual spot, the table by the Vermont Castings wood stove that, in the winter months, would reduce heating bills while contributing to what she thought of as the café’s fake authenticity. She was dressed, as usual, in dungarees, Indian cotton, and the sandals she insisted on wearing until the snow fell, but her short summer haircut was growing out, and her thick brown hair was starting to take on its haphazard winter unruliness.

“I remember you guys,” Jennifer was saying. “You were all practicing to be Leon Trotsky, and you polished your rhetoric and your steely gaze on girls like me who were stuffing envelopes for the cause.”

Beside her, Zachery Lerner grimaced.

“We weren’t really that bad. We were just showing off for each other.”

“Well, you could have fooled me. But anyway, I think it’s amazing that Williams College actually hired you to teach the impressionable young.”

Zach’s reputation had preceded him, not only at Williams but among anyone who remembered the decade just past: Berkeley in the late sixties, a first book on working class resistance to the war, three years in Leavenworth for refusing induction. Jennifer had recognized him, both by reputation and by the studious features that reminded her of all the budding revolutionaries she had always figured she would marry. His curly hair, already a premature salt-and-pepper, circled a rounded face with deep-set brown eyes and broad features. The lumberjack clothes that covered his burly frame would clearly win no friends among the board of trustees. His face, under horn-rimmed glasses, was that of a Russian Jewish revolutionary, which, at several generations removed, he was.

The front door of the café opened with a loud kick. Annie McGantry, Flanders’ organic farmer and herbalist, wedged the door with her shoulder and pulled a trolley topped by a large, covered barrel through the doorway and into the room. She spotted Jennifer and made her way to the table. She eased the barrel off the trolley, made sure that both the trolley and the barrel were standing safely upright, and threw herself into an empty chair.

“Goddamn. Can you believe I ran out of barrels?” she greeted them. “You should see the Kirby cukes this year—it’s like they don’t want to quit. I tell them, ‘Come on, how many pickles do we need? I need to finish canning the tomatoes, so stop putting out, you little sluts, and save some energy for next year.’ I’ve already brought four barrels to the co-op. I can’t start selling them for a week—they won’t be fit for eating. But at least they’re out of my hair. Anyway, here’s your barrel. I put them on your September bill.”

Jennifer groaned. “You brought them here when I can’t sell them for a week? Do you know how much we’ve got piled up in the kitchen already? Susan Broady delivered all the—”

“I promise you you’re not as crowded as the co-op is. I’m, like, buried. You know, I peed on the seeds before I planted them,” she reflected. “I think that’s why everything’s doing so well.”

Jennifer grimaced. “Don’t tell me what you put in the brine, okay?”

Zach regarded Annie with curiosity. Annie was pretty, with strong, if currently grimy features, and she looked to Zach’s urban eyes to be precisely the kind of unwashed earth mother he would have expected to find in the Berkshires. He glanced briefly at the blue jeans stuffed into Wellington boots, the small breasts and narrow hips, the muscled forearms and dirty fingernails. He found himself impressed by the uncompromising look in the light grey eyes.

“Annie manages the co-op.” Jennifer turned to Zach. “She has a back room filled with medicinal herbs, so watch out if you get a rash in her vicinity. Three hundred years ago, she would have been burned as a witch.”

“So,” Zach indicated the pickles. “Tell me what you put in the brine. I love pickles. Or is it a secret old family recipe?”

“My family? Shit. My mother’s only old family recipe was for spoon bread.”

“Well, my grandmother bought pickles in barrels on the Lower East Side. So, what’s in the brine?”

“Salt, of course. Pickling spices. Apple cider vinegar.”

“My bubbe would have been horrified at pickles made with apple cider vinegar. She would have put them in the same category as whole wheat bagels.”

Annie eyed him, suspecting that he was only half teasing her and not entirely clear about what was wrong with whole wheat bagels. Still, she liked his solidity, and she had always been partial to curly hair. He looked utterly unmovable. Annie took it as a challenge.

“She never tried my pickles, then,” Annie drawled. Her voice took on a Southern mountain twang that did not seem quite in keeping with the ANIMALS ARE PEOPLE TOO bumper sticker on her pick-up truck. But it had, Jennifer knew, been her mother tongue. Annie was the offspring of a hard-drinking truck farmer and a deaconess in the Bethel Baptist Church, her small soul the preferred battle ground of her parents’ adversarial marriage. In the end, her father had won. Annie had scraped the mud of Mount Haven, Arkansas, off her first pair of Birkenstocks, hitchhiked to San Francisco for the Summer of Love, and sworn she would never set foot in a church again.

“Honey, you come over one night, and I’ll teach you the art of making pickles, Annie-style. Hell, you can harvest the rest of the damned cucumbers while you’re at it. I could use the help, and you,” she regarded the intellectual paleness of his skin, “could use some time in the great outdoors.”

There was movement at the corner table. Samir Molchev rose from his chair and placed his book in a cloth satchel embossed with Indian appliqué. Jennifer watched him come toward them, his tall body graceful in jeans and a long, white, collarless shirt.

There really was such a thing, Jennifer decided, as being too good-looking for your own good. Or anyone else’s, for that matter. It was as if Samir knew that his body was perfect: broad, graceful shoulders, a soft swirl of hair just visible through his open collar. Soft black hair fell to his shoulders, framing pronounced cheekbones and black, slightly slanted Tartan eyes. All he needed, she thought, was a gold leaf halo and scarlet robes, and the resemblance to a Byzantine icon would be complete.

Beside her, Annie stiffened. “It’s late,” she announced. “I have to get back.” Annie rose, strode across the room and into the café kitchen, and returned with a ladle and an empty mason jar. She raised the lip on the barrel, extracted half a dozen pickles with her fingers, and placed them in the jar. She ladled brine over them, screwed the top onto the jar, and set the jar in front of Zach on the table. “Here you are. A sample. Let it sit for a week before you open it.”

Samir came up behind her. “Peace, all.” He raised his hands in greeting and eyed Zach with curiosity.

Annie ignored him. Zach reached out a hand.

“I’m Zach Lerner. Good to meet you.”

“Zachary Lerner?” Samir asked slowly. The black eyes blinked.

“Yes, that Zachary Lerner,” Jennifer put in. “Williams has stolen him away from Berkeley.”

“And you should hear the Eisenhower Professor of American Democracy on the subject,” Zach smiled. “‘Just what we need, another draft dodger on the faculty!’”

Samir regarded Zach in silence.

Annie stirred impatiently. “Jen, I gotta go. Where should I put the barrel?”

Samir pulled his eyes away from Zach. “Let me get that into the kitchen for you.”

Annie narrowed her eyes. “Don’t bother.”

“Peace, sister. I’m just trying to help you.”

“I’m not your sister, and I don’t need your help.”

“Just leave it, Annie,” Jennifer said hurriedly. “I’ll get someone to help me with it later.”

Annie turned back to Jennifer as if the exchange with Samir had never happened. “Thanks,” she drawled. “I’ve got chickens wanting their dinner.” She nodded to Zach. “Remember, don’t eat those pickles for a week.”

The three of them watched her has she grabbed onto the trolley and wheeled it purposefully out the door. None of them had any reason to suspect that forty-eight hours later one of them would be dead.

***

Excerpt from Part of the Solution by Elana Michelson. Copyright 2025 by Elana Michelson. Reproduced with permission from Elana Michelson. All rights reserved.

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Author Bio:

Elana Michelson

Elana Michelson is a New York City native who has encamped with her wife Penny to the Hudson Valley, where she writes, reads, gardens, and volunteers with local social justice organizations. After thirty-five years as a professor, she has put down a beloved career of academic writing (and student papers) in favor of writing murder mysteries. She earned a PhD in English from Columbia University, but gained her knowledge of the life and times of Part of the Solution from, well, having been there.

 

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Tuesday, November 11, 2025

Sister Acts ~ iRead Book Tours Author Interview & Giveaway!

 

SISTER ACTS
by Sharon Adelman Reyes

Contemporary / Literary Fiction/ Mothers and Children 
Publisher: Lake Grove Press
Pages: 448 pages
Release date: August 2025

Scroll down for a giveaway!

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Book Description:
Four sisters. Four clashing personalities. Four different ways of living in the world.

Sister Acts explores the impact of loss on three generations of one family –- in particular, the degree to which, to paraphrase Phyllis Chesler, women are capable of inhumanity toward other women. At times heartbreaking and at times hilarious, the novel illuminates the resilience that can come from knowing one’s roots and the estrangement that can result from trying to escape them.

Sophie Malinsky’s sudden death leaves her left-wing Jewish family in disarray. Rather than bringing her young daughters closer, the loss creates a tangle of jealousies and recriminations. Rose, the eldest, recognizing their father’s limitations, at first tries to become a surrogate mother for her three sisters. But they resent her efforts, each one channeling – or repressing – her grief in a different way. In the absence of Sophie’s love and guidance, two sisters lose their way. Naomi moves to Mexico and tries to shed her Jewish identity. Betti ends up in Nashville pursuing a dream, never realized, of stardom as a rockabilly musician. A fourth sister, Marla, strives for dominance from an early age. Her jealousy of Rose leads to a toxic rivalry that persists well into middle age, affecting their own daughters as well. Lurking behind the conflicts is a family secret that Sophie had planned, but failed, to reveal. Decades later, when Rose finally uncovers it, the Malinskys’ saga finally comes into sharp focus.
BUY THE BOOK:
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add to goodreads
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Interview with Author Sharon Adelman Reyes
"For me, writing is like indelible ink laid down on the fabric of our lives."
Why do you write?

For me, writing is like indelible ink laid down on the fabric of our lives. It’s a way of discovering what we truly think and of sharing our thoughts with others. Writing also gives me a feeling that I cannot be silenced. When I write well, I know there will always be a potential audience for my ideas.

Writing fiction in particular is the most powerful way I have found to express my thinking. As a reader, I have felt the grip of a good novel in more profound ways than any other form. This is because novels can touch our emotions and inspire empathy. They feature characters with whom we can identify, characters whose responses can be explored in multiple ways, and whose actions can aid in understanding our own. They can also help us to deepen our understanding of people from different eras, different cultures, and different places.

That said, I also write for the sheer joy of writing. It has been a favorite recreational activity of mine since childhood.

What themes did you want to highlight through your novel?

Sister Acts explores themes that are common to the human experience. Foremost is the impact of the early loss of a mother on four young girls. Motherless daughters appear frequently in adolescent novels and middle-school chapter books, yet rarely in fiction for adults. The subject is more commonly explored for mature readers in memoir or nonfiction. This is a missed opportunity, as stories create emotional investment and foster powerful ways of making meaning in our world. Because my novel traces the voices of four motherless daughters, it offers differing perspectives on the same excruciating loss.

Phyliss Chessler’s book, Women’s Inhumanity to Women – the title of which is a major concern of my novel – touched me profoundly. In Sister Acts my hope was to bring some of her themes to life and to do the same with those of Hope Edelman, author of the Motherless Daughters: The Legacy of Loss.

In addition to these central themes of my novel, there are many others that emerged naturally as I wrote the book. They include the difficulties of being a working mother, of raising children in our complex world, of the problematic nature of many family relationships, and the importance of both grieving and finding humor in life despite its difficulties. You can probably find more themes if you read thoughtfully!

What type of books are you drawn to?

As you might imagine, I am drawn to realistic novels about everyday people in everyday situations. Character-driven novels like those of Ann Patchett and Lisa See hold my attention, as do books that have something important to say to the world. But I also pay attention to the quality of writing that features engaging narrative as well as authentic dialogue.

What are your plans for future books?

At the moment, I am working on a novel whose characters and setting are parallel to Sister Acts. I hope to write a prequel and a sequel as well. Unfortunately, I cannot reveal any specifics, which could be spoilers for my current novel.

What are the literary elements you chose to highlight?

Sister Acts is a character-driven novel; thus it includes much dialogue along with its narrative passages. Each of the major characters has a unique point of view and an idiosyncratic voice. Even though the four sisters share a common culture, they have vastly differing perspectives. Each one faces conflict in her own special way. And each one has a unique life journey.

The novel opens by delving into the consciousness of each sister as they gather to discuss what to do about their ailing father. After that introduction, each sister’s voice is presented by itself in separate scenes.

Much of the action takes place in Chicago, and I have tried to include that city as somewhat of a character in itself. Since I spent many years living there, I am innately familiar with its history and landmarks. When I was not sure of my own recollections, I did research to confirm or supplement my knowledge. Historical fiction is one of my favorite genres and, with my native’s advantage, this was a great way to try my hand at it.

How have you addressed issues of culture, diversity, and identity within your novel?

The characters that inhabit Sister Acts are from diverse cultural backgrounds, yet diversity was never a theme I sought to address directly. Rather, it emerged naturally, due to the locales in which the novel takes place. As a result, the characters are authentic, rather than two dimensional. Some are severely flawed, while others are admirable, cutting across ethnic lines. In the process, cultural diversity often takes the main stage, as does the issue of cultural identity. Ultimately, Sister Acts illuminates the resilience that can come from knowing one’s roots and the estrangement that can result from trying to escape them.
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About the Author:
Sharon Adelman Reyes is a writer, editor, and equestrienne in Oregon, living on the slopes of an extinct volcano and looking out on an active one. During a lengthy professional career, she has published various works drawing on her experiences in multicultural teaching. Sister Acts is her first novel. Connect with the author on Goodreads.

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ONE WINNER receives a
signed copy of SISTER ACTS!
(USA and Canada only; ends 11/28/25)
SISTER ACTS Book Tour Giveaway

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Friday, October 31, 2025

The Haunting of Emily Grace ~ Partners in Crime Tours Book Review, Book Trailer, & Giveaway!

Virtual Book Tour October 20-November 28, 2025

THE HAUNTING OF EMILY GRACE
by Elena Taylor

Genre: Suspense / Mystery / Gothic
Published by: Severn House
Publication Date: November 4, 2025
Number of Pages: 288 pages

Scroll Down for a Giveaway!

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Synopsis: *Hall Ways Note: remember "haunting" has more than one definition

The Haunting of Emily Grace by Elena Taylor

An eerie suspense novel, in which a grieving woman takes a job at an isolated mansion only to become wrapped up in the curse that seems to have befallen its eccentric owner.

Emily Grace has endured the worst loss imaginable. But can she survive a remote manor haunted by more than just memories . . .?

Drowning in grief, Emily Grace has lost everything: her home, her friends, her career. Only one lifeline remains—a job working for an eccentric millionaire. Along with his wife, he’s been building a mansion on a secluded island surrounded by a harsh and unforgiving sea. But when the millionaire's wife disappears under mysterious circumstances, Emily Grace is hired to finish the project.

Locals believe the house is cursed, but their warnings go unheeded as Emily Grace works to rebuild her life. After what she’s been through, nothing can scare her—except perhaps the attention of a handsome man offering more than friendship. And yet, there’s something strange about this solitary fortress. Accidents. Mishaps. Ghostly whispers through the surrounding forest. Footsteps when she’s completely alone . . .

Is there truly a curse or is the ethereal specter in the window an omen of something more sinister?

BUY THE BOOK:

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The Haunting of Emily Grace Trailer:


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BOOK REVIEW
I don't spend time on plot summary, so please read the book synopsis above.
HALL WAYS REVIEW
“Haunting: having qualities (such as sadness or beauty) that linger in the memory: not easily forgotten” – Merriam-Webster’s Collegiate Dictionary, Twelfth Edition

Before starting The Haunting of Emily Grace, remember, "haunting" has more than one definition, and this novel is not about the spooky meaning. Knowing that going in made all the difference for me and made reading The Haunting of Emily Grace a page-turning pleasure.

What the story is about is that a woman haunted by her grief gets entangled in mysterious goings-on in a small, coastal town. Had I been constantly waiting for an otherworldly encounter, I’d have been sorely disappointed; and honestly, author Elena Taylor’s tale is eminently more fascinating.

The Pacific Northwest setting is perfect for The Haunting of Emily Grace because the landscape is so dramatic and eerily atmospheric. Taylor adds to the creepy ambiance by referencing the natural phenomenon of breathing forests that truly seems unnatural.  Taylor teases otherworldly presences throughout the novel, but the mood is conveyed primarily because of her writing skills.

“I don’t need to borrow his tragedy when I’m so firmly ensconced in my own.”

Ah, the writing. Taylor’s prose leans toward literary and lyrical as she creates evocative scenes and moods. A malaise hovers over the main character, Emily Grace, and combined with the weight of her despair, the temperament of Mother Nature, and the mystery enshrouding a place called, “The End of the World,” The Haunting of Emily Grace is compelling Gothic suspense. In fact, I read it in one sitting, which is something I haven’t done for many years. It was a joy to read Elena Taylor’s carefully-crafted sentences.

There were a couple of things I found questionable, plot-wise, and some confusing parts that tripped me up here and there, but the caliber of the writing kept me engaged – until about the last ten percent of the book. At that point, there were reactions and actions that didn’t ring true, and the resolution was one huge, rushed info-dump, which was jolting after the stellar storytelling before it. Given the novel is less than three hundred pages, there was room to give readers more, keeping aligned with the style and expectation set with the rest of the book.

Despite my quibbles, the ending is apropos, satisfying, and even provides a glimmer of hope, promising brighter days for Emily Grace. The Haunting of Emily Grace is a book I’ll recommend as it truly is an escape into an engrossing world. I'll be seeking out other titles by this author.

I voluntarily reviewed this book and received an e-ARC from the author through Partners in Crime Virtual Book Tours.

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Author Bio:

Elena Taylor

Elena Taylor spent several years working in theater as a playwright, director, designer, and educator before turning her storytelling skills to novels. Her first series, the Eddie Shoes Mysteries, written under Elena Hartwell, introduced a quirky mother/daughter crime fighting duo.

With the Sheriff Bet Rivers Mysteries, Elena returned to her dramatic roots to bring readers more serious and atmospheric novels. Set in her beloved Washington State, Elena uses her connection to the environment to produce tense and suspenseful investigations for a lone sheriff in an isolated community. The third in the series, Kill to Keep, launches summer 2026.

The Haunting of Emily Grace is Elena’s first standalone suspense novel.

Her favorite place to be is at Paradise, the property where she lives, south of Spokane, Washington, with her equines, dogs, cats, and hubby.

Catch Up With Elena Taylor


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Don't Miss Out! Enter Now for Your Chance to Win!

ONE WINNER receives a $25 Amazon gift card
+ autographed hardcover copy
of THE HAUNTING OF EMILY GRACE.
(US only, ends 12/1/25)
This giveaway is hosted by Partners in Crime Tours for Elena Taylor. See the widget for entry terms and conditions. Void where prohibited.
THE HAUNTING OF EMILY GRACE by Elena Taylor [book + gift card]

Can't see the giveaway? Click Here!

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Tour Participants:
Click here to visit other great hosts on this tour for more great reviews, interviews, guest posts, and opportunities to WIN in the giveaway!

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Get More Great Reads at Partners In Crime Tours