


"Something sinister is unfolding at the bottom of the world. Will you heed the call?"
"From this moment on, you'll know the world is little more than a tiny island in an infinitely expanding sea of cosmic horror."




"Something sinister is unfolding at the bottom of the world. Will you heed the call?"
"From this moment on, you'll know the world is little more than a tiny island in an infinitely expanding sea of cosmic horror."




“Mama chose to take her life rather than care for mine.” – from “Pretending”
Born of Dirt and Dust takes an overall darker tone
and is brimming with nonconventional characters and situations that pop from
the page. These twenty-three pieces run the gamut from uncomfortably real to
fantastical. At times, the stories are horrifying in their realism; at other
times, they are downright horrifying.
“Might be a good thing to offload the cemented weight of marital responsibility from his aching back. Might be a better path for his thinning wallet…” -- from “Haul and Demolished”
Coloman has a gift for world building and writing robust characters.
“Cruel Irony” might not be for everyone but in it, the author provides a
completely authentic, descriptive, painful picture we won’t soon forget of the
main character’s duplicity. It’s truly the mark of a talented writer when so
much is revealed in so few pages and with such huge impact.
“My heart felt like the earth and landscape around me. Empty. Dry. Parched and thirsty.” – from “At the End of the Road”
Many of the stories in Born of Dirt and Dust explore
the shared experiences humans grapple with, together or alone: aging and
teenaging, parent-child bonds, new or broken or severed relationships. Several
of the stories drift into science fiction, sometimes unexpectedly, and throughout
the collection, there are unexpected twists that will delight -- or trouble --
the soul. Though every story has some grimness, there is a greatly appreciated
sprinkling of hopefulness (or delicious come-uppances), which helps to counter
the melancholy.
“What footprint is left when nobody knows of my existence?” – from “The Pepper Tree”
My favorite, and the most poignant of the collection, is the
light-but-deep, realistic fantasy, “The Pepper Tree.” (Yes, those are exactly
the right words to describe it.) In it and all the stories, the writing in Born
of Dirt and Dust is outstanding, and Coloman knows how to turn a phrase and
pack a punch with it. Not every story gives readers the answers they seek, and
not all are neatly resolved, but it feels that this is by the author’s design
and only further contributes to the staying power of the collection. Don’t miss
it.
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FATHER LOST, CHILD FOUND

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Having not read any of the prior books in the series, I
struggled a bit to understand the relationships and events that led up to Fracturing
Time. Also, I imagine having been alongside the characters, living the
moments with them from the get-go, would make a reader feel more connected and invested,
and even repelled. Waters provides readers with a few good bring-to-dates and
insights along the way, which helps. But, I won't recommend it as a stand-alone
book. Instead, I recommend the series because you'll want to know all the delicious
details, start to finish.
“Stephanie McKay studied the threatening sky, bracing herself for Orlando’s daily summer ritual, those few hours when Mother Nature threw her tantrum.”
Waters’s own experiences living in Florida surely aided her
in creating such accurate and realistic situations for readers to experience (vicariously,
thank goodness). However, it’s clear the author has done copious amounts of
research into historical events, law enforcement procedures, medical conditions,
and of course, weather events. Sometimes
scenes went on a bit long and one seemed intentionally ghoulish to me, but they
definitely illustrated the deep research.
The characters in Fracturing Time are fleshed out and are written so that we hear the lilt in Steph's and Ian's voices, the seething in Jeffery's, and the time stamp of 1752 in Appleton's, to name a few. This lends an extra level of authenticity to the characters and the intriguing, even outrageous subplots in which they are involved.
I read an ARC of Fracturing Time and found some editing issues, but I assume those have been cleaned up in the final version available for sale. For this new-to-the-series reader, some re-reading of passages was required to try to grasp what was happening, which is pretty mind blowing and imaginative; but it works. Plus, having scenes told from multiple viewpoints (including one from a highly-medicated character) gives us a better understanding of the bigger picture. BONUS: if like me you love when a cover and book title tie-in to the story, you'll be pleased.
In the “A Letter to My Readers” section at the end of the book, author KJ Waters says, “I’ve wrapped up the storyline in the fourth book in the series, but I have at least two others in the works. I’m also going to write some spin-offs.” Hooray! In Fracturing Time, there are definitely some set-ups for more books. While Waters is writing, I’ll backtrack to book one and read current to be ready for more adventures. Standing by!
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Given
the subject matter of The Calendar, and who’ll be impacted if there’s an
impact by Goliath the asteroid, it makes sense that Gunn includes a huge cast
of international characters, and multiple languages are sprinkled throughout
the story, lending authenticity to the overall plot and premise. While there are a few main
characters, including the Aggie (Gig 'em!) president of the United States who is an
absolute treasure, there is a multitude of minor characters as well. Readers
pop in on the lives and thoughts of all of them, and we get peeks at how all
walks of life might deal with a crisis of this magnitude. Especially given the
division of the times we are in now, I appreciate that the author sided with
goodness and kindness as how most of us humans would ultimately react. I’d like
to think that’s not fiction.
The
setting seems contemporary, but in the story, they use cell phones, but emergency
alerts aren’t sent out via them, and we’ve been enjoying that ten or fifteen
years now. However, a song lyric from 2003 was quoted, so I’m guessing The
Calendar is set somewhere in the 2000-2010 range. I would have liked this
to be clearer so I didn’t have to sleuth so much to figure it out, but admittedly,
I may have missed something that gave more specificity.
Most
of us have surely given the end-of-times concept a thought or two, but I was
impressed with the societal and logistical issues that Gunn conceived and
explored. Fascinating brain fodder, which days after finishing the book,
is still noodling around in there. Not only will readers find The Calendar thought-provoking,
for this reader it evoked a number of feelings including some that really
hurt my heart and others that made it swell with joy. I always give credit to
authors who can make a reader feel, and Gunn has this gift.
The
science of The Calendar – especially at the conclusion – would indicate
that Gunn has done an enormous amount of research to be factual. I recognized a
smattering of terms I learned over my schooling years, but whether or not the
science is accurate doesn’t really matter. It is believable, it works, and
honestly, that is enough for me. Similarly, the author has clearly researched world
military and politics, as there is a lot of precise detail given – a little too
much for my liking, and I found myself skimming when all the rankings and
titles and weapons models kept popping up again and again.
Gunn
adds a few touches that make this book even more appealing. The book is
organized as a countdown, January to December, to the anticipated arrival of
the asteroid, and each chapter has an engaging graphic of that month’s calendar.
It enhances the doomsday feeling. Also, within each chapter, Gunn includes
snippets of song lyrics apropos to the mood and then provides the full list and
snippets again in the Musical Acknowledgments section at the end of the book.
The artists range from Jim Croce to Johnny Mathis to Muse, with lyrics penned
from 1931 to 2003. It’s quite an eclectic collection, and I’d love to have this
playlist built on Spotify.
From
an editing perspective, repetitious sections are one of more than a few issues
in The Calendar. For a final copy, there are also too many typos, errors,
and awkward passages for me to be able to give the book my highest rating, and I'd probably rate the book three stars on execution. If
you’re a regular reader of my reviews, you’re aware that blessing or curse, my
eye is drawn to errors, and I'm persnickety about that. Many readers don’t notice or care, and I want them to know The Calendar is a really good novel, but a thorough professional edit would
make it a top-notch one.
Despite my desire for more editing, in The Calendar, Gunn’s writing is provocative and inventive enough that I’ll read more of his work. He is a talented writer, and I want readers to get acquainted with him – myself included. In fact, I’ve just purchased his novella, Holmes, Moriarity, and the Monkeys (KU or $3 on Kindle) to get another taste. WM Gunn is an author worth watching.

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“Grief
is an individual journey; everyone navigates it differently.”
To
be able to feel grief means to have loved and cared about someone or something.
THE POPPY FIELDS touches the surface in exploring how far we are willing to go
to relieve heartache. In our society, we can pop a pill or take an injection
for all kinds of physical ailments, and of course, there are drugs for plenty
of psychological issues as well that numb pain, guilt, anxiety, and grief. But
going completely comatose for a month? Two months? Waking up with time lost
that can't be recovered and having those -- and potentially other feelings – muted
or even wiped out permanently? Worth it? Worth the risk?
I
had hoped and expected the book to be about The Poppy Fields (The Fields) facility,
but the novel is actually more about how the existence of the facility affects
people. We share in four strangers' journeys as they travel there together, and
we share in the founder's journey of establishing and continuing to run the
facility on her terms as long as she can. Additionally, there are a bunch of
pop-in perspectives from podcasters, influencer, news and science papers,
candidate interviews, and more. These give readers insight into wider views of
The Fields, but these journeys and perspectives are full of grief and pain, and
that made reading THE POPPY FIELDS heavy.
Throughout
THE POPPY FIELDS, readers feel they are building to something big. While there
are two surprises, there’s no big climax or full resolution – the stories of
our five characters kind of just fade out, with a small epilogue-type
conclusion -- courtesy of a character who really seems unnecessary other than
for the purpose of one, last bring-to-date. While I feel empathy and sympathy
for what the characters are feeling, I can't connect with them more deeply,
despite sharing common experiences. That may have been the author's intent in
not fully fleshing out each of them: she wants readers to connect with the
shared experience of grief, regardless of who is carrying it.
ABOUT
THE NARRATION: There are ten narrators listed, but I didn't really notice
changes from the primary narrator except when the pop-in perspectives happened.
Those narrators are more expressive and some even lively, depending on context.
It's well-done, and the voicings are natural and seamless from voice to voice.
I was never startled by a new voice, the narrators' pacings were perfect for
listening at regular speed, and the files were glitch-free. This was the first
and probably last time I'll listen to an ARC audiobook from Edelweiss, though.
It required me to download sixty-three individual MP3 files, and I couldn't figure
out how to get them to auto play one behind the other. Cumbersome, and probably
added an hour to this nearly ten-hour listen.
“Ellis
felt something stir…the sparking of an idea – an illuminated fuse at the very
start of its crackling journey, still in search of its destination.”
THE
POPPY FIELDS is somber reading and forces contemplation; honestly, it really
holds too much grief for me to read without a balance of more lightness. I
realized that the book was affecting me outside of its pages: I was crabby and
felt overwhelmed until I finished, then it was like a weight lifted. This is a
nod to Erlick's writing ability that she could evoke such feelings.
I think there are plenty of readers who will enjoy THE POPPY FIELDS, and it does have staying power after the last page is read. However, for me, it pulls too hard on my heart that’s suffering grief of its own. I crave and need hopeful, happy stories that have nice, neat conclusions that leave me feeling uplifted.


LEFT: A NOVEL
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A Sci-Fi Satire of Alien Espionage, Southern Charm & Chaos on Earth!
First-time novelist Paul McGrath delivers a sharp, witty, and wildly entertaining sci-fi satire that asks: What if an alien held up a mirror to America—and we didn’t like what we saw?
Anton-7—aka Roy McDonald—was supposed to observe Earth, not get stuck on it. But after missing his ride back to planet Xylodon, he decides to make the most of his exile in Hernando, Mississippi. Breaking the number-one rule of alien espionage—never interfere—he dives headfirst into human affairs, finding friendship, romance, and the simple joys of a good cup of coffee and a highly anticipated trip to Buc-ee's.
But when tragedy strikes, Anton-7 takes matters into his own hands, setting off a whirlwind of chaos that shakes both Earth and Xylodon.
To learn more about the book, look for #LoneStarLitLeft on your preferred social media platform.





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