Author: Michelle Madow
Narrator: Andrea Emmes
Series: The Transcend Time Saga, Book 1
Length: 7 hours 5 minutes
Publisher: Dreamscape Publishing
Released: Jul. 31, 2017
Genre: Clean Romance
They're reincarnated soulmates. So why is he pushing her away?
Lizzie Davenport has been reincarnated from 1815, England ... but she doesn't know it until she meets her soul mate from the past and he triggers her memories to gradually return.
When Drew Carmichael moves to Lizzie's town, Lizzie feels a connection to him, like she knows him. But he wants nothing to do with her. She knows she should let go of her fascination with Drew, but that gets harder and harder as memories of her past life return. And the more Lizzie remembers, the more she's determined to unravel the mysteries of the past ... no matter how deadly those secrets might be.
A romance with a fantasy twist that listeners of all ages will love!
Hall Ways didn't review the audio book, but scroll to the bottom of this page for links to reviews of all three books in the Transcend Time Saga!
Michelle Madow is a USA Today bestselling author of fast paced fantasy novels that will leave you turning the pages wanting more!
She grew up in Maryland and now lives in Florida. Some of her favorite things are: reading, traveling, pizza, time travel, Broadway musicals, and spending time with friends and family. Someday, she hopes to travel the world for a year on a cruise ship.
Audible Best Selling Narrator, Andrea Emmes was born in Hollywood, FL and grew up in both Tennessee and Rhode Island, started her career in musical theater. Cutting her teeth at The Trinity Arts Center in Rhode Island, Andrea eventually made her way to Orlando and began her eclectic career singing/dancing in various shows at Walt Disney World, Universal Studios, Pirates' Dinner Adventure, performing as a magician's assistant, headlining on the Las Vegas Strip and touring Los Angeles as an L.A. Award winning artist with her album, "I'm On My Way."
Having worked in TV, film, and video games, Andrea, a total Book Nerd, now enjoys narrating audio books at her home studio in San Jose, California.
Her wide range of character voices and dynamic/emotionally invested performances has reviewers and listeners alike commenting on how she effortlessly pulls listeners in, and has versatility and charisma.
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Q&A with Narrator Andrea Emmes
- When did you know you wanted to be an audiobook narrator?
- Well, I kind of fell into audiobooks in 2014 and haven’t looked back since. I’ve been a professional performer (actor/singer/dancer/VO) for over 20 years but in 2006 I got hurt in a stunt show and had to retire due to a disabling pain disorder called Reflex Sympathetic Dystrophy aka CRPS. I’ve always been an avid reader and during my recovery I read about 8-12 books a week. I went back to college and got a degree in Game Art and Design and was a game designer for Disney Interactive for a couple of years After the layoffs, I had to figure out what I should do next as I can no longer dance, etc. anymore and my husband suggested I look into audiobooks. He’s brilliant and I researched it, set up my equipment, studied with coaches and have enjoyed every minute of it!!
- Did you find it difficult to “break into” audiobook narration? What skill/tool helped you the most when getting started?
- That’s a great question. Yes and No. When looking into how to get into audiobooks, I found ACX. Audiobook Exchange which is owned by Amazon/Audible. It’s a really great marketplace for self-published indie authors/small publishers to put their books up for auditions and for narrators to find work. This is where I got my start. It was great cutting my teeth on the amazing books that were listed but since this is a full time thing for me, I’m always looking how to grow my business and extend my reach as a narrator. So, I started looking into how I could work with the big publishers. This takes some time as there are a ton of amazing talent out there that are vying to be noticed and cast. So, I immediately starting coaching with Sean Allen Pratt, who is an incredible coach and began learning techniques for Non Fiction and narration in general which really gave me a solid foundation moving forward. I still hear Sean’s advice in my head while in the booth 3 years later!! I’ve also studied with Paul Alan Ruben, Patrick Fraley, PJ Ochlan, Joel Froomkin, Andi Arndt. Each one offered such nuggets of wisdom that has made me a better narrator and I look forward to learning from other coaches as you should always be honing your craft. Each book I do, I learn so much and finally this year, after networking, working on my technique and studio sound, I’ve started working with some publishers and am so excited to see what lies ahead!
- A lot of narrators seem to have a background in theatre. Is that something you think is essential to a successful narration career?
- I, too, have a background in theatre and though I think that it was 100% helpful for me in bringing those acting techniques to my narration, it’s not a MUST. But it does help. Audiobook Narration is an acting job. You are cast to not only bring the book to life audibly, but you must vocally and emotionally embody each character, the tone of the book and entertain at the same time. It’s no easy feat. So for those who don’t have any acting background and want to be a narrator, it can be learned with really great coaching. I know many successful narrators who didn’t come from the acting world but put in so much work to be the best at what they do.
- What type of training have you undergone?
- I’ve been studied the art of acting and performing for more than half my life. I’ve taken singing lessons to not only bring a higher quality to my singing voice, but to help with breath control, mic techinques and vocal upkeep. I’ve studied with the best of the best for voice over work for commercials, animation, video games and of course audiobooks. What’s interesting is that the technique for voice over (commercial/animation/videogames) is different for audiobooks. There is a different approach you need to take with NonFiction (which is still acting) and with Fiction. How you approach different character voices but not be over the top cartoony, keeping the narration genuine and engaging to keep the listener immersed. Sometimes, I enjoy the training just as much as the actual narration.
- How do you manage to avoid burn-out? What do you do to maintain your enthusiasm for narrating?
- That is a great question, but narration can be tedious. Especially because you have to learn a ton of tech and engineering besides just speaking into the mic. It’s important to take lots of small breaks. Especially because it’s not good to be sitting or standing for too long. Because of my disability, I have to narrate sitting down, so it’s important for me to stretch or lay down every once in a while. Also, it can be hard to maintain your enthusiasm because, yes, I have a wicked cool job that I LOVE, but sometimes it’s hard to get into the emotions of the book. But I remind myself that I’m so blessed to do what I do; to have authors and publishers who believe and trust in me to bring their book to life and I don’t take that honor lightly. If I’m struggling or just not feeling it, I’ll step away, play some video games or watch TV or go for a walk and then come back fresh and get back to work!! As long as I hit my deadline, my daily schedule is flexible.
- Are you an audiobook listener? What about the audiobook format appeals to you?
- I AM! I love them. I’ve always loved story time as a child and in a way, it brings me back to when my parents would read to me. Audiobooks allow you to dive into the world of a good book and amazing characters, hear them come to life with the different voices, etc. and just let your imagination soar. When I’m listening, I can see the world that the narrator is describing. Also, it’s great to keep me entertained while I’m driving, cleaning or going for a walk. I’m a book addict and a total audiophile!
- What are your favorite and least favorite parts of narrating an audiobook?
- Hmm. I think my favorite parts of narrating is when I first read the book, make all of my notes and really work on the characters. I also really love emotional stories, where the characters are going through a hard time, some kind of trauma, or whatever and I can dive into what they are feeling. It can be hard emotionally on me as sometimes I’ve had to stop recording because I have to ugly cry for a moment, but it’s so fulfilling to actualize these moments in a hopefully genuine manner that will touch the listener. The best feeling is when the book is complete and gets approved ☺. My least favorite part of narration would be if I have to edit/master my own book. That is a very tedious process and whenever I can afford to high a professional engineer I jump at the chance. (plus, they do a way better job than I do so they are worth every penny!)
- What would you say are your strongest narration abilities?
- Wow. That’s a hard question. I think for me, really getting into the mindset of a character, especially an angst-y young adult character and bringing them to life in a believable way is something I feel confident with.
- Is there a particular genre you feel unsuited for? Have you ever declined a project because you didn’t think you were right for it?
- I honestly am happy to narrate any genre, but because I have a youthful voice, Young Adult and Children’s books are a strength for me and what I do mostly. And I love it. I read young adult books for pleasure so it’s pretty awesome to be able to narrate them! I have declined a few projects because I didn’t feel I was right for it. And often times, I’d submit other narrators that I thought would be better suited for the book.
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