Reflections on a Plainswoman's Life
by
Sandra Scofield
Frieda Harms was born
into a farming family in Indian Territory in 1906. Widowed at thirty and left
with three children in the midst of the Great Depression, she worked as a
farmer, a railroad cook, a mill worker, and a nurse in four states. She died in
1983.
Sandra Scofield spent most of her
childhood with her grandmother Frieda and remained close to her in adulthood.
When Frieda died, Sandra received her Bible and boxes of her photographs,
letters, and notes. For thirty years, Sandra dipped into that cache.
Sandra always sensed an undercurrent of
hard feelings within her grandmother, but it was not until she sifted through
Frieda’s belongings that she began to understand how much her life had
demanded, and how much she had given. At the same time, questions in Sandra’s
own history began to be answered, especially about the tug-of-war between her
mother and grandmother. At last, in Mysteries
of Love and Grief, Scofield wrestles with the meaning of her grandmother’s
saga of labor and loss, trying to balance her need to understand with respect
for Frieda’s mystery.
Praise for MYSTERIES OF LOVE AND GRIEF
Throughout her depiction of her own family, Scofield kept
me surprised—a moment of generosity when I didn't expect it or of anger when I
didn't expect that. Mysteries remain as they must, but I trusted the insights
as well as the mysteries. I thought it was a very beautiful book, smart and
sharp.
—Karen Joy Fowler, author of We Are All Completely Beside Ourselves and The Jane Austen Book Club
Largely ungoverned by chronology, Scofield’s journey of
discovery unfolds organically, true to the way memory works. Seeking to know
her grandmother, she honors the lives and artistic bent of many women
marginalized by gender and poverty in the early to mid-twentieth century. This
is a unique and necessary work.
—Lorraine M. López, author of Homicide Survivors Picnic and Other Stories and The Darling
HALL WAYS REVIEW:
As the title indicates, Mysteries of Love and Grief: Reflections on a Plainswoman's Life truly is author Sandra Scofield's reflections about the life of her grandmother, Frieda Harms, born into a farming family living in Indian Territory, 1906. Scofield clearly did her research to create snapshots of not just Frieda's life, but the whole world and mindset of the women and men of that same era. As Scofield writes in an attempt to better understand her grandmother, the author's frustration and pain are tangible because she realizes the unnecessary hardships the people in her family endured and how much was left unsaid. Scofield finds that in her family, grief motivated many things, and says "Grief
sometimes becomes anger, but how does it turn into a person's engine?" She desperately seeks to answer her question hoping that an answer will help her forgive and mend and comprehend.
Scofield's writing style is unique -- sometimes blunt and to the point, other times nearly stream-of-consciousness -- as she tries to make sense of the memories and the mementos of the grandmother she loved but never really knew. Her musings are a good reminder to readers to ask questions before the only people who can answer them are gone forever, even when the attitude (like Frieda's) is that "there isn't any way to fix the past, and no good reason to suffer it." Scofield peppers her writing with figurative language, providing rich descriptions that stick with readers.
The book presents itself as a series of brief essays, and they are often repetitive and confusing because there are a lot of names to remember and no set chronology (though thankfully, a partial family tree is provided). Often, as the author reflects, she sometimes strays off into the territory of her other publications, which doesn't always feel necessarily appropriate. The copy I was provided was an uncorrected proof, so I hope that these and other issues I found (peculiar semi-colon usage, lack of punctuation, pronoun confusion), which interrupted the flow of the writing, will be cleaned-up for the final version.
Thank you to the publisher and Lone Star Lit Life for providing me an eBook copy in exchange for my honest opinion -- the only kind I give.
Scofield's writing style is unique -- sometimes blunt and to the point, other times nearly stream-of-consciousness -- as she tries to make sense of the memories and the mementos of the grandmother she loved but never really knew. Her musings are a good reminder to readers to ask questions before the only people who can answer them are gone forever, even when the attitude (like Frieda's) is that "there isn't any way to fix the past, and no good reason to suffer it." Scofield peppers her writing with figurative language, providing rich descriptions that stick with readers.
The book presents itself as a series of brief essays, and they are often repetitive and confusing because there are a lot of names to remember and no set chronology (though thankfully, a partial family tree is provided). Often, as the author reflects, she sometimes strays off into the territory of her other publications, which doesn't always feel necessarily appropriate. The copy I was provided was an uncorrected proof, so I hope that these and other issues I found (peculiar semi-colon usage, lack of punctuation, pronoun confusion), which interrupted the flow of the writing, will be cleaned-up for the final version.
Thank you to the publisher and Lone Star Lit Life for providing me an eBook copy in exchange for my honest opinion -- the only kind I give.
A native Texan, Sandra Scofield divides her time between
Missoula, Montana and Portland, Oregon.
She has written seven novels, a memoir, and a craft book
for writers. An excerpt from Mysteries of
Love and Grief won first place in Narrative
magazine’s 2014 Spring Story Contest. She is an avid landscape painter.
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